It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever expect that from an Apichatpong... Read More
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NEON announced today that it has acquired U.S. rights to The Worst Person in The World from Norwegian writer-director Joachim Trier (Reprise, Oslo, August 31st, Thelma). The film marks... Read More
What does it mean to be an American? The question reverberates throughout every frame of Blue Bayou, the new film from Ms. Purple and Gook... Read More
Sony Pictures Classics announced today that they have acquired rights from Totem Films in North America, Latin America, Eastern Europe, Southeast Asia and the Middle East to Juho Kuosmanen’s Compartment No.6, produced by Jussi Rantamäki and... Read More
Writer-director Jonas Carpignano has won the Europa Cinemas Cannes Label award for best European film at Directors’ Fortnight section of the Cannes with his film... Read More
Hot off the Emmy nominations this week, the Television Critics Association (TCA) added more love to Ted Lasso, Hacks, Mare of Easttown, WandaVision and much... Read More
Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in Red Rocket. His latest film,... Read More
How often do we have a first-time director end up winning both the Grand Jury and Audience Award for documentary at the Sundance Film Festival?... Read More
Do you remember how you rode a bike for the first time or learned a new language? It seemed like you’d never be able to... Read More
Trailblazer. Icon. National Treasure. Sony Pictures Classics today revealed the trailer for the Julia Child documentary Julia, from the Oscar-nominated duo of Julie Cohen and... Read More

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AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
41st Film Independent Spirit Awards: ‘Train Dreams’ Takes Best Feature, Director; ‘Adolescence’ Sweeps TV Wins
Make-Up Artists & Hair Stylists Guild (MUAH) Awards: ‘Frankenstein, ‘One Battle After Another,’ ‘Sinners’ Take Top Wins
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
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Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]
NEON picks up U.S. rights to Joachim Trier’s Cannes hit ‘The Worst Person in the World’
‘Blue Bayou’ review: Justin Chon’s stunning portrait of immigration and what it means to be an “American” [Cannes Review]
Sony Pictures Classics acquires rights to Juho Kuosmanen’s Cannes competition title ‘Compartment No.6’
Cannes 2021: Winners for Critics’ Week, Directors’ Fortnight and Cinéfondation sections
Television Critics Association nominations: Love for ‘Ted Lasso,’ ‘Hacks’ and ‘WandaVision’ mirrors Emmys but group also rights some wrongs
‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]
Interview: Questlove shares his passion for cinema and lets us in on the process of making ‘Summer of Soul’ [VIDEO]
From ‘The Hangover’ to ‘Molly’s Game,’ catch your luck with these 5 movies
Trailer: ‘Julia’ Child doc from Oscar-nominated duo Julie Cohen and Betsy West
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale