It’s typical and expected from every year that a handsomely crafted historical drama would come along and remind audiences of a certain part of WWII... Read More
Other
After maintaining his scream king title recently thanks to projects like the Smile films and Strange Darling, Kyle Gallner makes a pivot to romantic anti-hero... Read More
You can, of course, leave it to Steven Soderbergh of all people to make a biting and salient drama about the ways we value and... Read More
In an edition full of surprises and films that moved and provoked audiences at the Venice Film Festival, Ildikó Enyedi’s Silent Friend is perhaps the... Read More
As he enters the office of Meridian Mortgages on a brisk February morning in 1977, Tony Kiritsis (Bill Skarsgård) is visibly on edge, despite the... Read More
In this review roundup out of the 2025 Toronto International Film Festival, three films from across the world, over three different genres, explore similar issues... Read More
Night Two of the Creative Arts Emmy Awards took place tonight where SNL50: The Anniversary Special was the dominate winner with eight awards, including Outstanding... Read More
The latest whodunit from writer-director Rian Johnson, Wake Up Dead Man, starts with a confession; not one of guilt or sin, but of absolute truth.... Read More
During the end credits of Roofman, a series of news clips and interviews of people who came into contact with the notorious “Roofman” robber are... Read More
Of the many fascinating aspects of Japan as a nation and culture, one particular feature that stands out is its remarkable subculture of bizarre rental... Read More

DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
‘Star Wars: Episode V — The Empire Strikes Back’ to Close 69th San Francisco International Film Festival (SFFILM) at The Castro Theatre
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘Nuremberg’ Review: James Vanderbilt’s Historical Thriller Looks at When Perpetrators of Systematic Genocide Used to be Brought to Justice [A-] TIFF
‘Carolina Caroline’ Review: Kyle Gallner and Samara Weaving Rob and Throb in Old-School Crime Drama of Lovers on the Run [A-] TIFF
‘The Christophers’ Review: Ian McKellen is an Irritable, Aging Painter in Steven Soderbergh’s Warm and Funny Chamber Drama About Artistic Integrity [B+] TIFF
‘Silent Friend’ Review: Ildikó Enyedi’s Hypnotic Saga is One of the Year’s Best Films [A] Venice
‘Dead Man’s Wire’ Review: Gus Van Sant Crafts a Kinetic Dog Day Afternoon for Bill Skarsgård [B+] Venice
2025 Toronto International Film Festival Reviews: ‘The Fence,’ ‘Fuze,’ ‘Good Fortune’
2025 Creative Arts Emmy Awards Night Two: ‘SNL50’ Dominates, ‘Pee-Wee as Himself’ Wins Big
‘Wake Up Dead Man’ Review: Rian Johnson’s Latest Puzzlebox Takes Benoit Blanc to Church on an Unholy Whodunit [A-] TIFF
‘Roofman’ Review: Channing Tatum Charms but Derek Cianfrance’s Eccentric True Crime Dramedy Puts Too Much Stock in the Fables of Its Subject [C+] TIFF
‘Rental Family’ Review: Brendan Fraser is a Conduit for Loneliness in Hikari’s Found in Translation [B+] TIFF
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts