The screenplays of Frankenstein, Hamnet, One Battle After Another, Peter Hujar’s Day and Train Dreams, as well as the source material from which they were drawn, are nominated for the USC... Read More
Other
“By the way, Stone left five minutes before the movie began and people in the theater began throwing things at the screen during a particularly... Read More
The Las Vegas Film Critics Society (LVFCS) nominations are out and Sinners leads with 14, followed by One Battle After Another with 11, Frankenstein with... Read More
It’s ten days before Christmas and there is still plenty of time to get those last minute gifts for the cinema fan in your life;... Read More
The Indiana Film Journalists Association (IFJA) has named Sinners the best film of 2025, also awarding the film original screenplay, score, cinematography, editing and ensemble.... Read More
The Phoenix Film Critics Society (PFCS) has announced its winners for the best in film for 2025 and Paul Thomas Anderson’s One Battle After Another... Read More
The Kansas City Film Critics Circle (KCFCC), now in their 60th year ( the second oldest professional film critic organization in the United States) have... Read More
Paul Thomas Anderson’s One Battle After Another and Chloé Zhao’s Hamnet lead the 46th annual London Critics’ Circle Film Award nominations with nine and eight... Read More
The St. Louis Film Critics Association winners for the best in film for 2025 include One Battle After Another with a dominating nine wins. The... Read More
The San Francisco Bay Area Film Critics Circle (SFBAFCC) has chosen Paul Thomas Anderson’s One Battle After Another as the best film of 2025, also... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
USC Scripter Nominations: ‘Hamnet,’ ‘Train Dreams,’ ‘Slow Horses,’ ‘Death by Lightning’ and More
Retrospective: Worst Picture/Best Picture – ‘Basic Instinct 2’ and ‘The Departed’ (2006)
Las Vegas Film Critics Society (LVFCS) Nominations: ‘Sinners’ Leads with 14
On the Shelf: ‘Teenage Mutant Ninja Turtle’ trilogy, ‘Pee-wee’s Big Adventure,’ ‘David Byrne’s American Utopia,’ ‘Walking Tall’ and the ‘Babe’ Films Arrive on 4K Blu-ray Releases for Week of December 15
Indiana Film Journalists Association (IFJA) Awards: ‘Sinners’ Named Best Picture
Phoenix Film Critics Society (PFCS) Awards: ‘One Battle After Another’ Wins 8
Kansas City Film Critics Circle (KCFCC) Nominations: ‘One Battle After Another,’ ‘Sinners Lead’
London Critics Circle (LCC) Nominations: ‘One Battle After Another,’ ‘Hamnet’ Lead
St. Louis Film Critics Association (StLFCA) Awards: ‘One Battle After Another’ Dominates
San Francisco Bay Area Film Critics Circle (SFBAFCC) Awards: ‘One Battle After Another,’ ‘Sinners’ Share Most Wins
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]