Satire and farce make for appealing cinema because they give additional room to directors willing to exercise that creative license. Such is the case with... Read More
Other
Sofia Coppola’s Marc by Sofia could only ever have been made by Sofia Coppola. On paper it is a straightforward proposition: a celebrated filmmaker turns... Read More
Chile’s selection to this year’s Best International Feature Oscar race, The Mysterious Gaze of the Flamingo, continues that country’s remarkable string of featuring poignant films... Read More
People probably always say that a long-lasting love can feel like an eternal flame. Whether it’s with the person you’re currently with or a fling... Read More
Night one of the 2025 Creative Arts Emmy Awards were held tonight where a handful of shows dominated and a new king was crowned. With... Read More
It feels like we’ve been telling stories of well-meaning teachers and troubled students since the beginning of time. Everyone is aware that public school systems... Read More
Minutes into Shih-Ching Tsou’s solo debut Left-Handed Girl, I knew I was in good hands. Watching our three female leads sitting at a small cramped... Read More
Yorkshire, England, 1916. Young Lofty (Oliver Briscombe) has the unenviable task of delivering the bad news to the townsfolk that their loved ones have died... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Jim Jarmusch’s Father Mother Sister Brother has won the Golden Lion for Best Film of the 82nd Venice Film Festival from a fractured jury headed... Read More

DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
‘Star Wars: Episode V — The Empire Strikes Back’ to Close 69th San Francisco International Film Festival (SFFILM) at The Castro Theatre
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘Sacrifice’ Review: Romain Gavras’ Environmentalism Parody Self-Immolates at the Altar of Absurdity [B-] TIFF
‘Marc by Sofia’ Review: Coppola’s Friendly Look at a Fashion Titan Leaves Some of its Seams Showing [B-] Venice
‘The Mysterious Gaze of the Flamingo’ Review: Chilean LGBTQ Western is a Haunting, Lyrical Fable About Love and Loss [A-] TIFF
‘Erupjca’ Review: Everything is Pretty Romantic in this Kinetic Charli XCX Vehicle [B+] TIFF
2025 Creative Arts Emmy Awards Night One: ‘The Studio’ Breaks Comedy Emmy Record, ‘The Penguin’ Dominates in Limited Series
‘Steve’ Review: Tim Mielants and Cillian Murphy Redefine Empathy in the “Troubled Student” Genre [B+] TIFF
‘Left-Handed Girl’ (左撇子女孩) Review: Shih-Ching Tsou’s Solo Debut is a Vibrant Mother-Daughter Miracle [A-] TIFF
‘The Choral’ Review: Ralph Fiennes is Pitch-Perfect in Old-Fashioned British Wartime Drama [B] TIFF
Director Watch Podcast Ep. 115 – ‘Early Summer’ (Yasujirō Ozu, 1951)
2025 Venice Film Festival Awards: ‘Father Mother Sister Brother’ Wins Golden Lion, Benny Safdie Named Best Director Amidst Jury Turmoil
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts