Very quickly into its runtime, Ella McCay establishes itself as a fantasy. After the narrator (Julie Kavner) introduces herself with “I’m the narrator” (there’s no... Read More
Other
The first week of December brought us a deluge of industry and critics winners and nominations, including the AFI Top 10 list, National Board of... Read More
SFFILM celebrated four honorees for their achievements in contemporary cinema during the 2025 SFFILM Awards Night on Monday, December 8 in what has become one... Read More
The Phoenix Critics Circle (PCC) have announced their nominations for the best in film for 2025. Not to be confused with the Phoenix Film Critics... Read More
At the SFFILM Awards, held on December 8 at The Gateway Pavilion at Pier 2— Fort Mason Center in San Francisco, Benicio Del Toro receives... Read More
Today, the Producers Guild of America (PGA) announced the nominees for Documentary Motion Pictures and finalists for the PGA Innovation Award. As part of the 37th Annual... Read More
The Palm Springs International Film Awards has announced that Kate Hudson is the recipient of the Icon Award, Actress for her performance in Focus Features’... Read More
In the past week, a slew of major awards bodies handed out prizes or announced nominations. That includes the Gothams, the National Board of Review... Read More
When filmmakers Michael Salama and Gaston Zilberman traveled to Bolivia, they thought they were documenting the disappearance of Lake Poopó. “We even came to the story... Read More
Anachronisms are a funny thing. Sometimes it’s jarring and the clash isn’t playfully incongruent but distractingly bizarre. Sometimes it just makes sense in a ‘you... Read More

Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
‘Ella McCay’ Review: James L. Brooks Aims to Mine a Nostalgic Relic but Comes Up With Something Mildly Dated [B-]
2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (December)
SFFILM Awards Honor Scott Cooper, Wunmi Mosaku, Kristen Stewart and Benicio Del Toro [VIDEO]
Phoenix Critics Circle (PCC) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead
Benicio Del Toro (‘One Battle After Another’) Receives the SFFILM Award for Acting from Regina Hall [VIDEO]
2026 Producers Guild of America (PGA) Award Documentary Nominees: ‘Cover-Up,’ ‘Mr. Nobody Against Putin’ and More
Kate Hudson to Receive Icon Award, Actress for ‘Song Sung Blue’ from Palm Springs International Film Awards
2026 Oscar Predictions: The Awards Alchemist Checks In After Week One of Precursors
Bearing Witness to a Vanished Lake and the People Who Still Row: First Time Directors Talk ‘Qotzuñi’ [VIDEO INTERVIEW]
How ‘Marty Supreme’ Composer Daniel Lopatin Created a 1950s Landscape with a 1980s Vibe [VIDEO INTERVIEW]
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]