The greatest thing one can say about art is how it broadens their horizons. Director Edson Jean’s debut feature Ludi certainly had that type of... Read More
Other
Written by and starring Mallory Everton and Whitney Call, Recovery doesn’t make any mistake about its time and place. Set in the beginning stages of... Read More
AwardsWatch announced today that frequent contributor Tyler Doster has been brought on as the TV Awards Editor for the site, newly created position. He’ll cover... Read More
Hello, friends and family (everyone who reads our recaps is our family)! Fresh off Makeover Week, our queens are ready to inhabit their own personas... Read More
When we are little, we are told stories that mold our inspirations as human beings. Some tales are wrapped within decades of different versions and... Read More
Marvel’s The Falcon and the Winter Soldier made its debut today on Disney+ and has received stellar reviews. The show is currently sitting at 95%... Read More
‘Minari’ tops Austin Film Critics winners with six awards including Best Film, Director and Ensemble
‘Minari’ tops Austin Film Critics winners with six awards including Best Film, Director and Ensemble
The Austin Film Critics Association (AFCA) announced its 2020 awards, with Minari at the top of the pack, winning 6 awards from its 11 nominations. Acting award winners... Read More
In an ideal, much safer world, Megan Park’s The Fallout wouldn’t need to exist. Winner of the SXSW Narrative Feature Competition, The Fallout follows high... Read More
Familiarity surrounds Language Lessons, an 80-minute examination of a friendship between a Spanish teacher and her student. Natalie Morales, in her directorial debut, comes with... Read More
The Oscars show producers Jesse Collins, Stacey Sher and Steven Soderbergh announced today that veteran director Glenn Weiss will return to direct the 93rd Oscars. ... Read More

BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
SXSW Review: ‘Ludi’ deftly explores identity and the American Dream with a breakout performance by Shein Mompremier
SXSW Review: A weaker strain in the era of the COVID comedy, ‘Recovery’ doesn’t commit to the heart of the joke
AwardsWatch names Tyler Doster as TV Awards Editor
‘RuPaul’s Drag Race’ recap S13 E11: “Soda-Lightful”
SXSW Review: Despite a thrilling performance from Leah Purcell, ‘The Drover’s Wife’ never reaches its full potential
Kevin Feige, Anthony Mackie, Sebastian Stan and Kari Skogland reveal that action, depth, and surprises will define ‘The Falcon and the Winter Soldier’
SXSW Review: ‘The Fallout’ explores teenage grief with a gentle hand
SXSW Review: ‘Language Lessons’ finds humanity over laptop screens
Glenn Weiss returns as director for the Oscars
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale