With the first round of major industry and critics nominations revealed, the Gold Rush Gang has unleashed their updated predictions in all categories. Taking into... Read More
Other
If you have been following these posts for the past two weeks, you will have noticed that 12 Years A Slave is cleaning up quite... Read More
On this Oscar podcast, recorded Tuesday, December 17, 2013, Erik, Peter and Richard discuss the crazy week of SAG, Golden Globe and BFCA nominations. Who... Read More
A big haul today, with no less than seven organizations announcing their nominees or winners. The winners of the Chicago Film Critics Association are updated... Read More
Yesterday, AMPAS released the list of 75 songs that are eligible this year for the Oscars. Notable absence: “Please Mr. Kennedy”, from Inside Llewyn Davis,... Read More
“The single most accurate precursor to the Oscars….“. If ever it was more blatantly clear what the Broadcast Film Critics Association is actually trying to... Read More
What Michael Ward is listening to this week… Beyoncé Forget some of the overstatement surrounding the release of Beyoncé’s self-titled album earlier this week. It’s... Read More
Another day, another roundup of critics organizations. First, the San Francisco Critics Circle chose their winners (updated list to be found here). Then we have... Read More
For months it seemed as though Beyoncé had fallen off the face of the Earth. Sure, she was on a world tour, but she hadn’t... Read More
After today, there are only seven hopefuls left for winning the Oscar for Best Makeup & Hairstyling, as the shortlist in this category was announced... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
Gold Rush Gang Predictions – Post SAG/GG/BFCA
Critics Societies Roundup 5
Oscar Podcast #7: December 17, 2013
Critics Societies Roundup 4
Sing me a song: 75 songs on the Best Song longlist
Critics’ choices or Oscar predictions? BFCA announces nominations
AwardsWatch Weekly Music Roundup: Week of December 16, 2013
Critics Societies Roundup 3
Review: Beyoncé – Beyoncé
Can you shorten it a little: Makeup & Haistyling shortlist announced
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes