The Oscar nominations are in and before you can say “And the Oscar goes to…” we’ll have the Writers Guild of America (WGA) Awards on... Read More
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The South by Southwest (SXSW) Conference and Festivals announced the 2021 Jury and Special Award winners of the 28th SXSW Film Festival. Megan Park’s The... Read More
The Phoenix Critics Circle (PCC), not to be confused with the Phoenix Film Critics Society, has named Minari the best picture of 2020, best foreign... Read More
Demi Lovato: Dancing with the Devil (a documentary that made its premiere at SXSW) stands out for two very different reasons. It represents the first... Read More
It seems fitting that on the one-year anniversary of the pandemic, I should watch a COVID-19 rom-com. Two millennials, Nick (Ben Coleman), a Teva sandal... Read More
Over the course of Oscar history, 12 leading ladies have scored the Best Actress trophy as the only nomination from their film. This year, not... Read More
Predicting the winners for the Writers Guild of America (WGA) awards, especially in film, is an odd thing. With so many screenplays not nominated due... Read More
“And If it’s a funny old world, mama, where a little boy’s wishes come true” really is the perfect lyric from Springsteen’s song The Wish,... Read More
HBO Max has ordered a two-part documentary about late actor Brittany Murphy from Blumhouse Television and Pyramid Productions. The order marks the first for Blumhouse... Read More
The Falcon and the Winter Soldier is a very deceptive series. On the surface, the action sequences are arguably some of the best seen in... Read More

BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday Oscar Predictions: Nom, Nom, Nom
SXSW Jury and Special Award winners: ‘The Fallout,’ Rogelio Balagtas (‘Islands’) wins Breakthrough Performance
Phoenix Critics Circle names ‘Minari’ Best Picture, Youn Yuh-jung Best Supporting Actress
SXSW Review: ‘Demi Lovato: Dancing with the Devil’ is more concerned about appearances than battling demons
SXSW Review: ‘The End of Us’ is the charming embodiment of the maybe too soon quarantine comedy
2021 Oscars: How Andra Day (‘The United States vs. Billie Holiday’) or Vanessa Kirby (‘Pieces of a Woman’) could be the 13th Best Actress winner to be the lone nominee from her film
Writers Guild of America (WGA) awards preview and predictions
SXSW Review: Malcolm Ingram’s ‘Clerk’ rings up a treasure trove of Kevin Smith’s career, personal life and near death
HBO Max orders two-part Brittany Murphy docuseries
TV Review: ‘The Falcon and the Winter Soldier’ is action-packed but makes room for examinations of trauma and inner demons
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale