The nominations from the Society of Composers and Lyricists were announced on Monday and the duo of Trent Reznor & Atticus Ross led the field... Read More
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The Atlanta Film Critics Circle has named Chloé Zhao’s Nomadland the Best Picture of 2020, also awarding the film Best Director and Best Cinematography. Promising... Read More
It’s taken Robin Wright a long time to get here. After breaking into the industry over 35 years ago, the veteran actress has finally taken... Read More
In yet another female directorial debut featured at the Sundance Film Festival, acclaimed actress Rebecca Hall premiered her new film, Passing, a stylized look at... Read More
The International Press Academy (IPA) today announces its nominations for the 25th Satellite Awards in Motion Pictures and Television, along with Special Achievement Award Recipients.... Read More
NEON made its second acquisition of the 2021 Sundance Film Festival on Sunday, with Jamila Wignot’s Ailey, the moving and intimate portrait of dance legend Alvin Ailey. The film... Read More
Writer/director Sean Ellis may have filmed his werewolf creeper Eight for Silver before the pandemic, but it certainly arrives at an opportune moment. A mysterious... Read More
Sundance has been chock-a-block with films exploring our collective anxieties and traumas surrounding the COVID-19 crisis — from the harrowing accounts out of China from... Read More
Marvelous and the Black Hole is set to debut at the 2021 Sundance Film Festival on Sunday, marking the directorial debut of Kate Tsang. Her film... Read More
On the face of it, the new film Prime Time, from Polish director Jakub Piatek, premiering at Sundance Film Festival, has all the makings of... Read More

‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
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‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale
‘Take Me Home’ Review: Liz Sargent’s Intimate Caregiving Drama Confronts a System Built to Fail [B-] Berlinale
26th Black Reel Awards: ‘Sinners’ Breaks Record with 14 Wins
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Society of Composers and Lyricists nominations: Trent Reznor & Atticus Ross lead with three
Atlanta Film Critics winners: ‘Nomadland,’ Ahmed, Mulligan, Raci and Bakalova
Sundance Review: Robin Wright’s ‘Land’ treads a disappointingly predictable path
Sundance Review: ‘Passing’ is stylized and seductive but remains out of reach
Satellite Awards: ‘Mank’ leads film nominations; ‘The Crown leads television
NEON picks up Jamila Wignot’s Alvin ‘Ailey’ doc out of Sundance
Sundance Review: Werewolf thriller ‘Eight for Silver’ is an inventive but languid Hammer throwback
Sundance Review: Ben Wheatley’s ‘In the Earth’ mines folk-horror inspiration from the pandemic
Interview: Kate Tsang, director of ‘Marvelous and the Black Hole’
Sundance Review: Jakub Piatek’s hostage thriller ‘Prime Time’ doesn’t break new ground but features a star-making turn from Bartosz Bielenia
‘How to Make a Killing’ Review: The Latest Eat the Rich Satire is Starving to Death [C-]
BAFTA Predictions: Will the Brits Ride Ocean Waves or Be in Love with Shakespeare?
Make it a Double Feature: ‘Daughters of the Dust’ and ‘Eve’s Bayou’
‘At the Sea’ Review: Amy Adams Gasps for Air in Film Desperate to Drown Her Under the Weight of Water [C] Berlinale