Happy Labor Day week to all who celebrate. Taking a look at the month of September, it looks to a giant month of releases stretched... Read More
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Well, one mystery has been solved. Netflix has released the first poster for Wake Up Dead Man: A Knives Out Mystery from Academy Award-nominated filmmaker... Read More
Some films don’t know what they want to be – and that’s certainly the case with Benny Safdie’s The Smashing Machine, a film that continuously... Read More
“All my memories are movies” says the titular Jay Kelly (George Clooney) to his mentor, veteran director Peter Schneider (Jim Broadbent) as they stand in... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Day three of the 52nd Telluride Film Festival has revealed a striking theme woven through its lineup: imperfect fathers. Across many of the films I... Read More
In Rose of Nevada, the sea does not simply serve as a backdrop but as a force of memory and fate. Mark Jenkin returns to... Read More
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
This musical biopic can be a tricky thing to get right, especially for a fan of the artist being portrayed in the film. The growing... Read More
Since the start of humanity, mankind has always been fascinated with the concept of time. The notion of past, present, future has often been analyzed... Read More

76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think That You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
On the Shelf: ‘Lost in Space,’ ‘The Two Jakes,’ Original Superman Film Collection Fly Home on 4K Blu-ray This Week
‘Wake Up Dead Man’ Poster Plus All Character Names and More in New Rian Johnson Mystery Revealed
‘The Smashing Machine’ Review: Benny Safdie’s Cautious Fighter Drama Pulls its Punches [C] Venice
‘Jay Kelly’ Review: Fame Comes at a Reflective, Personal Price in Noah Baumbach’s Newest Masterpiece [A-] Telluride
Director Watch Podcast Ep. 114 – ‘Late Spring’ (Yasujirō Ozu, 1949)
Telluride Dispatch #3: Dad Mode with ‘Sentimental Value,’ ‘Hamnet,’ ‘Frankenstein’
‘Rose of Nevada’ Review: George MacKay and Callum Turner Get Spooked in Mark Jenkin’s Ghostly Fisherman Fable [A-] Venice
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] Venice
‘Springsteen: Deliver Me From Nowhere’ Review: Scott Cooper’s Uneven Snapshot at The Boss’ Crucial Album Features an Astonishing Jeremy Allen White [C+] Telluride
‘Below the Clouds’ Review: Gianfranco Rosi’s Volcano Doc Erupts with Humanity [B+] Venice
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)