Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More 
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’ 
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW 
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick 
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+] 
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-] 
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+] 
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW 
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’ 
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick 
Marianne Jean-Baptiste on Being a TIFF Platform Jury Member: “I’ll Be Open”
“But he’s so good!” That was Marianne Jean-Baptiste’s reaction to the news that Richard Lawson, Vanity Fair’s chief film critic, had been let go from... Read More
Other
Telluride Silver Medallion and Tribute to Iranian Filmmaker Jafar Panahi, Reflecting on ‘It Was Just an Accident’ and Lifelong Political Filmography
The Sheridan Opera House in Telluride, Colorado has seen legendary, subversive non-American filmmakers celebrated by the Telluride Film Festival over the past 52 years. From... Read More
It Takes Two: James Sweeney and Dylan O’Brien Talk ‘Twinless’ [VIDEO INTERVIEW]
“You’re gonna make me cry, I’m not even kidding,” says Dylan O’Brien through a laugh. He’s responding to my congratulations over his performance award at... Read More
‘My Father and Qaddafi’ Review: Jihan K Crafts a Moving Portrait of Living Under a Regime of Brutality [A-] Venice
Life doesn’t always give us answers – but that doesn’t mean the questions always linger, haunting us at every turn. There is a pain in... Read More
‘Roqia’ Review: [B] Venice
Playing in competition at this year’s Venice Critics’ Week, Yanis Koussim’s Roqia is a rare Middle Eastern genre film that takes narrative risks that mostly... Read More
‘In the Hand of Dante’ Review: Julian Schnabel’s Less Than Divine Comedy of Errors Belongs in the 9th Circle of Hell [D+] Venice
The opening music for Julian Schnabel’s In the Hand of Dante, an audacious but ruinously messy epic which takes place across seven centuries and has... Read More
2025 Creative Arts Emmys Predictions: ‘The Pitt,’ ‘Severance’ and ‘The Studio’ Should Dominate
This weekend, for two nights, the Television Academy will present Creative Arts Emmys for the best in artisan work for the last year of television.... Read More
‘Frankenstein’ Review: To the Victor Go the Spoils [B] Telluride
For close to one hundred years, Frankenstein has always been a complex, fascinating tale of the moral consequences from man’s decision to create something beyond... Read More
AwardsWatch Podcast Ep. 305 – 2025 Telluride Wrap-Up
The 52nd Telluride Film Festival has wrapped up and that means it’s time for the AW team to gather and talk about what we saw,... Read More
‘The Voice of Hind Rajab’ Review: Kaouther Ben Hania’s Harrowing Look at a Palestinian Genocide Flashpoint is the Most Indispensable Film of the Decade [A] Venice
In January of 2024, Hind Rajab was evacuating her home in the Tel al-Hawa neighbourhood of Gaza City, as ordered by Israeli forces, alongside six... Read More
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More 
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW