Each new film by Jafar Panahi feels like a blessing, especially since the Iranian filmmaker has been subject to prison, house arrests, travel and work... Read More
Other
Following the unexpected successes, both critical and commercial (in its native China at least), of 2018’s Long Day’s Journey Into Night, Bi Gan returns with... Read More
Growing up in an old house means getting used to its little idiosyncrasies, just as you would with any other family member. It’s the one... Read More
From the opening frame of Lynne Ramsay’s fifth feature film, Die My Love, we see a house in shambles. A once promising place full of... Read More
In spite of Iran’s excessively punitive stifling of artistic expression, its filmmakers continue to knock it out of the park even at the risk of... Read More
Four years ago, a tidal wave hit cinema with Julia Ducournau’s second feature film, Titane. Winner of the Palme d’Or at the 2021 Cannes Film... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
For nearly thirty years, audiences around the world have watched one man accept impossible missions while performing ridiculous stunts to save the world from a... Read More
Ratchapoom Boonbunchachoke’s A Useful Ghost, a fable about a man who discovers his wife has been reincarnated in their vacuum cleaner, has won the Critics... Read More
The National Academy of Television Arts & Sciences (NATAS) announced the winners of the 46th Annual Sports Emmy Awards. The ceremony was hosted by Roy Wood Jr., award-winning... Read More

‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘It Was Just an Accident’ Review: Jafar Panahi Gives Human Answers to Complex Moral Conundrums [B] Cannes
‘Resurrection’ Review: Let Bi Gans Be Bi Gans [A] Cannes
‘Sentimental Value’ Review: Joachim Trier Constructs a Searing, Tender Family Drama [A] Cannes
‘Die My Love’ Review: Jennifer Lawrence is Grace Under Fire in the Best Performance of her Career [A] Cannes
‘Woman and Child’ Review: Saeed Roustaee’s Iranian Mother Melodrama Finds a Family Torn Part [A-] Cannes
‘Alpha’ Review: Julia Ducournau’s AIDS Allegory Crumbles Under the Weight of its Repetitive Self-Importance [D-] Cannes
Director Watch Podcast Ep. 100 – ‘The Lord of the Rings: The Two Towers’ (Peter Jackson, 2002)
Light the Fuse: Ranking the ‘Mission: Impossible’ Franchise
2025 Cannes Critics Week Winners: ‘A Useful Ghost,’ ‘Left-Handed Girl’
46th Annual Sports Emmys Wins Lady Gaga Her First Ever Emmy Award
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?