The American Society of Cinematographers (ASC) has unveiled, as a part of its centennial celebration, its list of the 100 Best Shot Films of All... Read More
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GALECA: The Society of LGBTQ Entertainment Critics, comprised of over 200 gay, lesbian, bisexual, transgender, queer and ally entertainment journalists in the U.S., Canada, Australia... Read More
The Directors Guild of America (DGA) has announced its nominations for Feature Film today and Bradley Cooper earned two mentions – for Feature Film and... Read More
BAFTA nominations will be announced at 7:25am GMT – that’s 11:25pm and 2:25am for the west and east coast of the US, respectively. I fully... Read More
Set in the 1990s, Marvel Studios’ Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe... Read More
The Cinema Audio Society (CAS) has announced its nominations for outstanding sound mixing in motion pictures and television. In Motion Picture, the nominees were: Black... Read More
The American Society of Cinematographers has announced the nominations for the 33rd ASC Outstanding Achievement Awards today and for the first time ever the Theatrical... Read More
The Favourite, If Beale Street Could Talk and A Star Is Born lead the Georgia Film Critics Association (GFCA) nominations with nine apiece including Best... Read More
The Directors Guild of America (DGA) nominations for Television, Commercials and Documentary Features were announced today. In Dramatic Series were Ozark, Homeland, The Americans, Succession... Read More
The Denver Film Critics Society has revealed its nominations today and Black Panther is at the top of the list with seven nominations. The strong... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
ASC Cinematographers Celebrate 100th Anniversary with 100 Best Shot Films of All Time
‘The Favourite,’ ‘Can You Ever Forgive Me?,’ ‘Pose,’ ‘Schitt’s Creek’ top GALECA’s 10th Dorian Awards Winners
Directors Guild of America (DGA) nominations: Bradley Cooper, Spike Lee earn first ever noms
2019 BAFTA predictions: expect big numbers for ‘The Favourite’
New ‘Captain Marvel’ featurette: Transforming Brie Larson from Oscar winner to Superhero
Cinema Audio Society (CAS) nominations: ‘Black Panther,’ ‘First Man,’ ‘Ozark,’ ‘Mrs. Maisel’ and more
‘Cold War,’ ‘ROMA’ highlight American Society of Cinematographers (ASC) nominations
‘The Favourite,’ ‘If Beale Street Could Talk’ and ‘A Star Is Born’ lead the Georgia Film Critics Association (GFCA) nominations
Directors Guild of America (DGA) Television and Documentary nominations: ‘The Americans,’ ‘Atlanta’ and ‘Mrs. Maisel’ double up
‘Black Panther’ tops Denver Film Critics Society noms but misses Best Picture
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes