The original limited series debuts Spring 2019 The first look at Hulu’s Catch-22 from Paramount Television, Anonymous Content, George Clooney and Grant Heslov and starring Christopher... Read More
Other
Vice and Widows make moves into the top 5 for Film Editing after their BFCA noms but the top 10 in Cinematography doesn’t budge an... Read More
Nothing is going to unseat The Favourite from likely double wins in these two categories (that have often gone hand in hand). Lots of green... Read More
No changes at the top for either Sound Editing or Sound Mixing. Ready Player One moves up on both charts (closer to where it should... Read More
Don’t let anyone tell you that <insert film year here> was ‘not a good year’ for movies. Every year is a good year if you’re... Read More
Where’d You Go, Bernadette is based on the runaway bestseller about Bernadette Fox, a Seattle woman who had it all – a loving husband and... Read More
The Phoenix Film Critics Society has chosen Green Book as their Best Picture of 2018 with Alfonso Cuarón (ROMA) as Best Director. Green Book‘s Viggo... Read More
The Favourite, from Yorgos Lanthimos leads the London Film Critics Circle nominations with 10, including Director of the Year, Actress of the Year (Olivia Colman)... Read More
347 feature films are eligible for the 91st Academy Awards®, the Academy of Motion Picture Arts and Sciences announced today. To be eligible for 91st... Read More
2018 North Texas Film Critics Association has revealed its winner and runners-up for the best in 2018 film. (Runners-up listed in order of votes received)... Read More

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes
2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON
Cannes 2026 Reviews: ‘The Unknown,’ ‘A Man of His Time,’ ‘The Samurai and the Prisoner’
Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize
‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes
50th San Francisco International LGBTQ+ Film Festival (Frameline50) Lineup: John Early’s ‘Maddie’s Secret,’ Gregg Araki’s ‘I Want Your Sex’ and More
Madonna to Premiere ‘Confessions II’ Visual Album Film at 2026 Tribeca Festival
First look at Hulu’s ‘Catch-22’ from George Clooney and Grant Heslov
2019 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
2019 Oscar Predictions: PRODUCTION DESIGN and COSTUME DESIGN (December)
2019 Oscar Predictions: SOUND MIXING and SOUND EDITING (December)
10 Best Films of 2018
First trailer for ‘Where’d You Go, Bernadette’ finds Cate Blanchett on the move
Phoenix Film Critics Society (PFCS) winners: ‘Green Book,’ ‘ROMA,’ Lady Gaga
‘The Favourite’ leads London Film Critics Circle (LFCC) nominations
2019 Oscars: 347 Films Eligible for Best Picture Oscar
North Texas Film Critics Association (NTFCA) winners
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes