Director Chie Hayakawa’s sophomore feature, after 2022’s Plan 75, sees her pivot from telling a futuristic story about euthanasia to a past-set coming-of-age tale. Renoir... Read More
Other
You know that feeling, even in 2025, when you hear someone cough in any environment how it triggers a kneejerk response? It’s impossible to not... Read More
Wes Anderson’s latest film, The Phoenician Scheme, starts off with a bang. No literally it does, as we find Anatole “Zsa-zsa” Korda (Benicio del Toro),... Read More
Love Letters opens with a broadcast reporting France has legalised same-sex marriage; it’s a national celebration, but for Céline (Ella Rumpf), there is still unfinished... Read More
You won’t find a better elevator pitch at Cannes this year than the premise for the Thai Critics’ Week title A Useful Ghost, a supernatural... Read More
Perhaps the most mesmerising Competition entry thus far, Óliver Laxe’s Sirāt takes us to a world of desert raves where the promise of salvation still... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Early in Mascha Schilinski’s sophomore feature, Sound of Falling, Alma (Hanna Heckt) and her sisters play a prank on one of the maids. They know... Read More
The grim iron gates of a Soviet prison open up as director Sergei Loznitsa begins his exploration of Soviet state repression, told through the lens... Read More
“Our lives are the sum of our choices.” Though the words were first said to Tom Cruise’s Ethan Hunt in the penultimate quest, Mission: Impossible... Read More

76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think That You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
‘Renoir’ Review: Chie Hayakawa’s Gentle Coming of Age Story Gives Way to a Powerful Debut Performance from Yui Suzuki [C+] Cannes
‘Eddington’ Review: No Country for Men, Women or Children [B+] Cannes
‘The Phoenician Scheme’ Review: Wes Anderson’s Latest Explores the Meaning of Legacy and Features a Superb Breakthrough Performance from Mia Threapleton [A-] Cannes
‘Love Letters’ Review: A Quietly Powerful Portrait of Queer Motherhood [B] Cannes
‘A Useful Ghost’ Review: Vacuum Cleaner Love Story Doesn’t Suck [C+] Cannes
‘Sirāt’ Review: Óliver Laxe Takes Us on a Sisyphean Journey of Sound and Fury Road [A-] Cannes
Director Watch Podcast Ep. 99 – ‘The Lord of the Rings: The Fellowship of the Ring’ (Peter Jackson, 2001)
‘Sound of Falling’ Review: What It Feels Like For a Girl [A-] Cannes
‘Two Prosecutors’ Review: Sergei Loznitsa’s Brooding, Minimalistic Procedural Exposes Soviet Corruption [B+] Cannes
‘Mission: Impossible – The Final Reckoning’ Review: Tom Cruise Takes Ethan Hunt to the Ends of the Earth and Back
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)