Predictions Chart – Best Costume Design 2013
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| Best Costume Design | Erik | Ben | Beth | Cédric | Dennis | Evan | Kenneth | Long | Michael | Peter | Richard | Total Votes |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 12 Years a Slave | * | * | * | * | * | * | * | * | * | * | * | 11 |
| American Hustle | * | * | * | * | * | * | * | * | * | * | * | 11 |
| Blancanieves | * | 1 | ||||||||||
| The Great Gatsby | * | * | * | * | * | * | * | * | * | * | * | 11 |
| The Hobbit: The Desolation of Smaug | 0 | |||||||||||
| The Hunger Games: Catching Fire | * | 1 | ||||||||||
| The Invisible Woman | * | * | * | * | * | * | * | * | * | * | * | 11 |
| Lee Daniels' The Butler | 0 | |||||||||||
| Oz: The Great and Powerful | * | * | * | * | * | 5 | ||||||
| Saving Mr. Banks | * | * | * | * | 4 |
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Latest posts by Erik Anderson (see all)
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- Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize - May 20, 2026
- ‘La Mas Dulce’ Review: Laïla Marrakchi Gives Visibility to Morocco’s Invisible Workers [B] Cannes - May 19, 2026
‘Tangles’ Review: Julia Louis-Dreyfus Stars in Heartbreaking Yet Beautiful Animated Film Detailing Alzheimer’s with Humor and Pathos [A] Cannes 
‘Passenger’ Review: André Øvredal’s Van Life Haunted House Movie Does Exactly What You Expect and Maybe That’s All It Needs To Do [C+] 
Director Watch Podcast Ep. 155 – ‘Batman Begins’ (Christopher Nolan, 2005) with Special Guest Bob Goochman 
‘Hope’ Review: Na Hong-jin’s First Act Monster Mash is Overlong Schlockbuster Core [C-] Cannes