Robbie Ryan Wins British Society of Cinematographers (BSC) Award for ‘Poor Things’

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Robbie Ryan BSC ISC has won the British Society of Cinematographers (BSC) award for Best Cinematography In A Feature Film Award for his photography of the film Poor Things (Searchlight Pictures). The awards were held at the Royal Lancaster Hotel in London and hosted by Tristian Oliver BSC.

Oscar-nominated for his cinematography of Poor Things, four of the last five recipients of this award have gone on to win the Academy Award for Best Cinematography, including last year’s winner, James Friend ASC BSC for All Quiet on the Western Front (Netflix). Said Ryan when accepting the award, “I want to pay tribute to Yorgos, he is an incredible artist and I learn something from him with each film. I also want to thank CineLab for their amazing work – all five of the nominees this year were shot on film, something we should all be celebrating.”

In the Television Drama category, Jody Lee Lipes ASC was named the winner for his work on the Amazon Prime show Dead Ringers (“Episode 1”). This is the first wins for both Jody Lee Lipes and Ryan.

The Operators Award, presented by the British Society of Cinematographers (BSC), Association of Camera Operators (ACO) and Guild of British Camera Technicians (GBCT) named Ossie McLean ACO SOC the winner for his operating on the film Saltburn (Warner Bros./Amazon MGM) and in the Television category James Layton ACO and Justin Hawkins were victorious for their work on the Apple TV+ show Silo (“Episode 1”).

Anthony Richmond ASC BSC received the BSC’s highest honor – the Lifetime Achievement Award. Richmond’s 50-year career has seen him shoot cinema classics such as Don’t Look Now (1973) and The Man Who Fell To Earth (1976) to rock n’ roll music videos including the material used in Peter Jackson’s The Beatles: Get Back (2022). Richmond was unable to attend the ceremony but his sons, George Richmond BSC and Operator Jonathan “Chunky” Richmond, were on hand to accept the award on his behalf.

The British Society of Cinematographer’s also awarded two cinematographers for their work in the short films, Jack Edwards and Ronnie McQuillan. Stuart Harris was invited as an Honorary Full Member in respect to his body of work, principally in the field of Commercials, and his commitment to education. Mr. Harris is currently Co-Head of Cinematography at the National Film and Television School. Angus Hudson BSC was awarded the BSC ARRI John Alcott Award for his services to the Society and the Cinematography community as a whole.

The BSC bestowed a Special Award on First Steps Cinematography – an education programme set up by Fabian Wagner ASC BSC and supported by Aga Szeliga ACO and Mitch Payne. The scheme works to place mentees on film sets so they can learn their way around the camera department. Some of the first mentees on the scheme were on stage to accept the award alongside Fabian, Aga and Mitch.

The Bert Easey Technical Achievement Award was awarded to Chemical Wedding. Chemical Wedding’s development of the Artemis and Helios Apps have helped change the way Cinematographers approach filmmaking.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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