Robert Pattinson serves us dad in deep space in first trailer for Claire Denis’ ‘High Life’

Published by
Share

In High Life, the English-language debut from iconic director Claire Denis (Beau Travail, 35 Shots of Rhum), Robert Pattinson stars with Juliette Binoche, Andre Benjamin and Mia Goth in what is likely to be one of the most talked about films of 2019.

I saw the film at the Toronto International Film Festival last September and between the low budget, but very well-crafted space and spaceship design to Binoche’s “Fuck Box” (you read that right) High Life is an atmospheric and cerebral experience that doesn’t skimp on its graphically detailed weirdness (it’s about harvesting babies in space, for pete’s sake). Drenched in mood and gorgeous cinematography and a fantastic performance by Pattinson, High Life a mind-bender, a genre-fuck and something that will divide audiences into love it/hate it camps. It’s unmissable.

From A24:

Monte (Robert Pattinson) and his baby daughter are the last survivors of a damned and dangerous mission to deep space. The crew—death-row inmates led by a doctor (Juliette Binoche) with sinister motives—has vanished. As the mystery of what happened onboard the ship is unraveled, father and daughter must rely on each other to survive as they hurtle toward the oblivion of a black hole. A staggering and primal film about love and intimacy, suffused with anguished memories of a lost Earth, High Life is a haunting, thrilling achievement from visionary director Claire Denis.

A24 will release High Life on April 12th. Here is the first trailer and poster.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

2024 Camerimage Film Festival: Danish Oscar Entry ‘The Girl With the Needle’ Wins Golden Frog

The acclaimed Danish period horror drama The Girl with the Needle, shot by cinematographer Michal Dymek,… Read More

November 23, 2024

Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore

Few figures in Ridley Scott’s orbit have developed as effective a shorthand with the monumentally… Read More

November 22, 2024

Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler

“Some of my absolute favorite songs that I've ever written sit in a drawer somewhere.… Read More

November 22, 2024

2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)

The holiday season is almost upon us, it's Glicked Day, with Gladiator II and Wicked… Read More

November 22, 2024

Interview: John Lithgow on ‘Conclave’ Being a Career Highlight, Oscar Buzz and Comparing Director Edward Berger to David Lean [VIDEO]

John Lithgow, an actor with multiple Emmys and Tonys, takes on a commanding role in… Read More

November 22, 2024

Interview: In ‘Gladiator II,’ Costume Designer Janty Yates Turns Rome into Her Runway

Costume designer Janty Yates has time-traveled around the world with Ridley Scott for decades. From… Read More

November 22, 2024

This website uses cookies.