After a season of sisterhood and shadiness, RuPaul’s Drag Race comes to a close on its sixteenth season of the flagship iteration of the international phenomenon. It’s been a season of triumphs, breakdowns, and delusion that has fueled the Queens to persevere through crafting more looks than ever before and writing enough while filming during the 2023 Writer’s Strike to either be considered scabs or on the cusp of a WGA membership.
To begin the finale, Ru delivers a quick performance of her song “Pink Limousine,” which can only be interpreted as a direct reference to Barbie (and yes, I’m aware that the album this song originally appeared on actually dropped six months before the film released, perhaps she knew of the impending Barbenheimer hype last year). Ru welcomes the audience and judges Michelle Visage, Carson Kressley, Ross Matthews, and Ts Madison to the finale, taking a moment to highlight family and the top three competitors of the season: Nymphia Wind, Plane Jane, and Sapphira Cristál. There is something distinctly funny about the way Ru is standing in the middle of the stage with her arms behind her back, looking like a lost teen that can’t find her friend outside the 9 p.m. horror film on a Sunday night. The entire cast is then brought onto the stage in the classic category “grand finale eleganza.”
A not-so-quick rundown of the final runway:
Nymphia is up first for her final performance that sees her bringing her culture to the forefront of the performance in the beginning. She moves into a reveal that sees a look Plastique Tiara would wear on any given day, but the greatest and gayest moment of her performance certainly comes from the wind blowing her everywhere. She looks fierce and the dancing is actually fun, it makes you wonder how stressed she probably was getting ready knowing her repulsion to preparation and her issue with procrastinating responsibilities. While speaking to her younger self, she sweetly refers to herself, Nymphia, being the higher power version that she will grow into one day. Her family is there to support her and her mother’s genuine pride in her child is touching, as it always is seeing a queer person be so beautifully embraced by their loved ones.
Plane follows Nymphia with a song seemingly disposed of by Slayyyter before being recycled to this final performance. The “Bodysuit” song is actually cute, Plane looks great and has just as much ass as she’s given the entire season, the pink and green reminiscent of the craziest costumes Cosmo and Wanda could ever disguise Timmy in. She unfortunately sniffs her finger after the performance in reference to her “Burger Finger” song that has haunted me since the moment I first heard it and has caused chills up my spine every time since then. “You’re gonna be a drag queen when you grow up,” she tells her younger self, laughing, but it’s really about the ability to be genuine that’s causing the smile. Her drag child, Lazi Susan, sends in a message about the Queens moving forward and his drag mother, miss Plane herself, congratulating her on her achievement.
After 11 years of attempting to get on the show, Sapphira stands tall as the final of the top three Queens of season 16. The production of Sapphira’s performance isn’t a surprise after watching her this season, the opening reveal to her tangerine dream outfit more dramatic than any episode of television that has aired this year. She gives an energetic performance where you can hear a Queen in the crowd yelling, “You better work, bitch!” which is one of my favorite things queer people do. Michelle dubs her Slue-pphira which sends Ru into a laughing frenzy, unsurprisingly. I love when Ru gets stuck on something for an entire season, Sapphira’s slue-foot has provided more amusement to Mama Ru than we’ve seen since Crystal Methyd’s comparisons to El DeBarge in season 12. Sapphira speaks to her younger self to let him know that everything will turn out fine because support systems keep us in place, especially the way hers has supported her. Her mom is there to openly file a report on Sapphira’s younger self making her clothes smell like Post Malone by performing in them without taking them to the cleaners.
Then begins a tribute to Elvira, Cassandra Peters, that feels out of place because it is. Even with the understanding of the achievement award, the Giving Me Lifetime Award as its known, it still feels forced into the episode. She does, however, look incredible and I am grateful to have seen her on my television this week. She gives a quick speech before the episode moves into thinning the competition. Plane Jane places third in the competition as Nymphia and Sapphira both move into the final two of the season, but Plane receives a tip of $25k so no one leaves the finale empty handed. I keep thinking this money must be deposited directly into their Cashapp, which is the funniest possible way they could receive such a sizable amount.
Last year’s winner, Sasha Colby, returns to the stage for a performance to Megan thee Stallion’s “Her” but isn’t going across the stage with as much fervor as audiences might have seen before, but it must be noted that she had to change into her returning look immediately after! And we are all better for it because she looks amazing, showstopping, a goddess-cinderella that imposes trans judgment on those who might wrong her. She looks stunning, an immediate reminder of the reign she’s given over the past year and why she won this competition and is all-around the best human alive.
The Queens of Season 16 return to the stage for the presentation of this year’s Miss Congeniality, which has still never been presented by Sandy Bullock herself, the craziest missed opportunity imaginable. Malaysia Babydoll Foxx returns to present the award looking like the owl that’s always asking how many licks it will take to get to the center of a tootsie pop. She announces that there will be, for the first time in Drag Race herstory, a tie – a word that I assume strikes immediate resentment into the hearts of twinners Monet X Change and Trinity the Tuck – that sees both Xunami Muse and Sapphira Cristál taking home the award. The only thing left is the final lip sync of the season, the first time Nymphia will lip sync this season. They will perform to “Padam Padam” by Kylie Minogue, which feels correct.
Sapphira, of course, begins more theatrically with fake vampiric teeth and a campy humor to her showing. Nymphia does a reveal that releases balloons into the air, igniting applause from the gays in the crowd. Reveals from both Queens allow them to slip into a more danceable outfit that sees Nymphia doing handstand against one of the backwalls of the stage before falling into a split. Sapphira brings her usual energy to the stage, fighting hard with a passionate and funny lip sync, but Nymphia’s performance has a freshness to it. She brings an explosive energy to the stage with Sapphira right behind her in humor. Sapphira high kicks while Nymphia moves around like a hilarious schoolgirl with a ferocious appetite. The lip sync incredibly ends with both Queens in a split in the same frame. It then becomes time to put a crown on someone’s head and it goes, rightfully, to Nymphia Wind. She’s put up an insane fight this entire season, has given some of the best runways of the past few seasons, and will be remembered for seasons to come. You can start calling her Nymphia Win, thank you very much.
Photo: MTV
The Academy of Motion Picture Arts and Sciences today announced feature films eligible for consideration… Read More
BAFTA Breakthrough is the arts charity’s flagship new talent initiative supported by Netflix, offering a… Read More
Addiction is a universal struggle and one oft explored in film and television. The Outrun,… Read More
Triple was the buzz word of the 2024 Hollywood Music in Media Awards where Hans… Read More
As we head into the Thanksgiving holiday here in the U.S., it also means we're… Read More
Sugarcane earned a leading five nominations as the IDA Documentary Awards announced its nominees today, followed closely by Soundtrack… Read More
This website uses cookies.