Set Decorators Society of America (SDSA) nominations for television and music video include ‘Severance,’ ‘Dickinson,’ Taylor Swift’s “All Too Well”

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The Set Decorators Society of America (SDSA), which recognizes excellence in set decoration, has announced its nominees for the 2021/2022 television season across contemporary, fantasy/science fiction and more as well as music videos.

Ozark, Severance, Succession, The White Lotus and Yellowstone will compete against each other in the One Hour Contemporary Series category while American Horror Stories, The Handmaid’s Tale, Loki, Stranger Things and Star Trek: Picard will face off in One Hour Fantasy or Science Fiction Series. Last year, Ozark and The Handmaid’s Tale won their respective categories.

For Half Hour Single Camera series, the nominees were Atlanta, Dickinson, Emily in Paris, Hacks, Insecure and Russian Doll. Hacks was last year’s winner in this category.

The music video/short form category is packed with heavy hitters like Taylor Swift, Billie Eilish and Coldplay feat. BTS.

The winners will be announced in a ceremony on August 2, 2022 on the SETDECOR YouTube page. Here is the complete list of nominees.

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A ONE HOUR CONTEMPORARY SERIES

OZARK
Set Decoration by Kim Leoleis with Production Design by David Bomba

SEVERANCE
Set Decoration by Andrew Baseman SDSA with Production Design by Jeremy Hindle

SUCCESSION
Set Decoration by George DeTitta Jr SDSA with Production Design by Stephen Carter

THE WHITE LOTUS
Set Decoration by Jennifer Lukehart SDSA with Production Design by Laura Fox

YELLOWSTONE
Set Decoration by Carla Curry SDSA with Production Design by Cary White

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A ONE HOUR FANTASY OR SCIENCE FICTION SERIES

AMERICAN HORROR STORIES
Set Decoration by Sandra Skora with Production Design by Eve McCarney

THE HANDMAID’S TALE
Set Decoration by Rob Hepburn SDSA with Production Design by Elisabeth Williams

LOKI
Set Decoration by Claudia Bonfe SDSA with Production Design by Kasra Farahani

STRANGER THINGS
Set Decoration by Jess Royal with Production Design by Chris Trujillo

STAR TREK: PICARD
Set Decoration by Timothy Stepeck SDSA with Production Design by David Blass

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A ONE HOUR PERIOD SERIES

BRIDGERTON
Set Decoration by Gina Cromwell SDSA with Production Design by Will Hughes-Jones

THE GILDED AGE
Set Decoration by Regina Graves SDSA with Production Design by Bob Shaw

THE GREAT
Set Decoration by Monica Alberte with Production Design by Francesca Di Mottola

THE MARVELOUS MRS. MAISEL
Set Decoration by Ellen Christiansen SDSA with Production Design by Bill Groom

WINNING TIME: THE RISE OF THE LAKERS DYNASTY
Set Decoration by Jon Bush SDSA with Production Design by Richard Toyon, Clayton Hartley

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A TELEVISION MOVIE OR LIMITED SERIES

A VERY BRITISH SCANDAL
Set Decoration by Philippa Hart with Production Design by Christina Moore

THE DROPOUT
Set Decoration by Kimberly Leonard SDSA with Production Design by Cat Smith

GASLIT
Set Decoration by Jennifer Lukehart SDSA with Production Design by Daniel Novotny

OBI-WAN KENOBI
Set Decoration by Jan Pascale SDSA with Production Design by Todd Cherniawsky, Doug Chiang

PAM & TOMMY
Set Decoration by Nya Patrinos SDSA with Production Design by Ethan Tobman, David Batchelor Wilson

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A HALF-HOUR SINGLE-CAMERA SERIES

ATLANTA

Set Decoration by Lisbeth Ayala with Production Design by Timothy David O’Brien, Jonathan Paul Green

DICKINSON
Set Decoration by Marina Parker SDSA with Production Design by Neil Patel

EMILY IN PARIS
Set Decoration by Christelle Maisonneuve with Production Design by Anne Seibel

HACKS
Set Decoration by Jennifer Lukehart SDSA with Production Design by Alec Contestabile

INSECURE
Set Decoration by Amber Haley SDSA with Production Design by Kay Lee

RUSSIAN DOLL
Set Decoration by Lindsay Stephen SDSA with Production Design by Diane Lederman

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A HALF-HOUR MULTI-CAMERA SERIES

BOB HEARTS ABISHOLA
Set Decoration by Ann Shea SDSA with Production Design by Francoise Cherry-Cohen

CALL ME KAT
Set Decoration by Christopher Marsteller with Production Design by Greg J. Grande

HOW WE ROLL
Set Decoration by Ron Olsen SDSA with Production Design by Bernard Vyzga

THE NEIGHBORHOOD
Set Decoration by Ron Olsen SDSA with Production Design by Wendell Johnson

THE UNITED STATES OF AL
Set Decoration by Susan Mina Eschelbach SDSA with Production Design by Daren Janes

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A SHORT FORMAT: WEBSERIES, MUSIC VIDEO OR COMMERCIAL

APPLE MUSIC: BILLIE EILISH, “HAPPIER THAN EVER”
Set Decoration by Jill Crawford with Production Design by Francois Audouy

COLDPLAY X BTS: “MY UNIVERSE”
Set Decoration by Joan Sabaté with Production Design by Patrick Tatopoulos

ED SHEERAN: “SHIVERS”
Set Decoration Sandy Lindstedt SDSA by with Production Design by Francois Audouy

GUCCI: “ARIA”
Set Decoration by Christina Scipioni with Production Design by Jeremy Reed

TAYLOR SWIFT: “ALL TOO WELL”
Set Decoration by Mila Khalevich with Production Design by Ethan Tobman

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A VARIETY, REALITY OR COMPETITION SERIES

DANCING WITH THE STARS
Set Decoration by John Sparano SDSA with Production Design by Florian Andreas Wieder

HARRY POTTER: HOGWARTS TOURNAMENT OF HOUSES
Set Decoration by Heidi Miller SDSA with Production Design by John Janavs

LIZZO’S WATCH OUT FOR THE BIG GRRRLS
Set Decoration by Bryant Berry SDSA with Production Design by James McGowan

SUPERMARKET SWEEP
Set Decoration by Rae Deslich SDSA with Production Design by Stuart Frossell

SATURDAY NIGHT LIVE
Video skits Set Decoration by Kimberly Kachougian, Danielle Webb, Kimberley Fischer & Jessica Templin King with Production Design by Eugene Lee, Keith Raywood, Akira Yoshimura, Joe Detullio, Andrea Purcigliotti, Ken MacLeod & Mark Newell

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A VARIETY SPECIAL

THE 64TH ANNUAL GRAMMY AWARDS
Set Decoration by KayDee Lavorin with Production Design by Julio Himede

DAYS OF OUR LIVES: A VERY SALEM CHRISTMAS
Set Decoration by Adele Caine with Production Design by Tom Early SDSA

JERROD CHARMICHAEL: ROTHANIEL
Set Decoration by Kendall Anderson with Production Design by Sam Lisenco

LIVE IN FRONT OF A STUDIO AUDIENCE: THE FACTS OF LIFE and DIFF’RENT STROKES
Set Decoration by Jerie Kelter SDSA with Production Design by Stephan Olson

SAVAGE X FENTY SHOW Vol. 3
Set Decoration by Vince Rodriguez with Production Design by Steve Morden

YEARLY DEPARTED (2021)
Set Decoration by Alison Korth SDSA with Production Design by Frida Oliva

BEST ACHIEVEMENT IN DÉCOR/DESIGN OF A DAYTIME SERIES

THE BOLD AND THE BEAUTIFUL
Set Decoration by Charlotte Garnell SDSA, Laura Evans SDSA with Production Design by Jack Forrestel

DAYS OF OUR LIVES
Set Decoration by Adele Caine with Production Design by Tom Early SDSA

DAYS OF OUR LIVES: BEYOND SALEM
Set Decoration by Adele Caine with Production Design by Tom Early SDSA

GENERAL HOSPITAL
Set Decoration by Jennifer Elliott SDSA with Production Design by Andrew Evashchen

THE YOUNG AND THE RESTLESS
Set Decoration by Jennifer Haybach SDSA, Justine Mercado SDSA, Maria Dirolf with Production Design by David Hoffman

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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