St. Louis Film Critics Association (StLFCA) Nominations: ‘The Favourite,’ ‘A Star Is Born,’ ‘Vice’ lead

Published by
Share

The St. Louis Film Critics Associations nominations for 2018 were led by The Favourite, A Star Is Born and Vice with eight apiece although The Favourite missed out on a Best Film nomination that would have put it ahead of the pack.

Here is the full list of nominations. Winners will be announced on December 17th. 

  • BEST FILM
    • BlacKkKlansman
    • First Reformed
    • Roma
    • A Star Is Born
    • Vice
  • BEST DIRECTOR
    • Bradley Cooper – A Star Is Born
    • Alfonso Cuarón – Roma
    • Yorgos Lanthimos – The Favourite
    • Spike Lee – BlacKkKlansman
    • Adam McKay – Vice
  • BEST ACTOR
    • Christian Bale – Vice
    • Bradley Cooper – A Star Is Born
    • Willem Dafoe – At Eternity’s Gate
    • Ethan Hawke – First Reformed
    • Rami Malek – Bohemian Rhapsody
  • BEST ACTRESS
    • Toni Collette – Hereditary
    • Olivia Coleman – The Favourite
    • Lady Gaga – A Star Is Born
    • Charlize Theron – Tully
    • Glenn Close – The Wife
  • BEST SUPPORTING ACTOR
    • Mahershala Ali – Green Book
    • Steve Carell – Vice
    • Timothée Chalamet – Beautiful Boy
    • Richard E. Grant – Can You Ever Forgive Me?
    • Michael B. Jordan – Black Panther
  • BEST SUPPORTING ACTRESS
    • Amy Adams – Vice
    • Emily Blunt – A Quiet Place
    • Regina King – If Beale Street Could Talk
    • Emma Stone – The Favourite
    • Rachel Weisz – The Favourite
  • BEST ORIGINAL SCREENPLAY
    • Eighth Grade – Bo Burnham
    • The Favourite – Deborah Davis and Tony McNamara
    • First Reformed – Paul Schrader
    • A Quiet Place – Bryan Woods, Scott Beck, and John Krasinski
    • Vice – Adam McKay
  • BEST ADAPTED SCREENPLAY
    • BlacKkKlansman – Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee (Screenplay); Ron Stallworth (Book)
    • Can You Ever Forgive Me? – Nicole Holofcener and Jeff Whitty (Screenplay); Lee Israel (Book)
    • If Beale Street Could Talk – Barry Jenkins (Screenplay); James Baldwin (Novel)
    • A Star Is Born – Eric Roth, Bradley Cooper, and Will Fetters (Screenplay); Moss Hart (1954 Screenplay); John Gregory Dunne, Joan Didion, and Frank Pierson (1976 Screenplay); William A. Wellman and Robert Carson (Story).
    • Widows – Gillian Flynn and Steve McQueen (Screenplay); Linda La Plante (1983 – 85 Teleplay)
  • BEST EDITING
    • First Man – Tom Cross
    • Roma – Alfonso Cuarón and Adam Gough
    • A Star Is Born – Jay Cassidy
    • Vice – Hank Corwin
    • Widows – Joe Walker
  • BEST CINEMATOGRAPHY
    • The Favourite – Robbie Ryan
    • First Man – Linus Sandgren
    • Green Book – Sean Porter
    • If Beale Street Could Talk – James Paxton
    • Roma – Alfonso Cuarón
    • A Star Is Born – Matthew Libatique
  • BEST PRODUCTION DESIGN
    • Black Panther – Hannah Beachler
    • The Favourite – Fiona Crombie
    • First Man – Nathan Crowley
    • If Beale Street Could Talk – Mark Friedberg
    • Roma – Eugenio Caballero
  • BEST VISUAL EFFECTS
    • Annihilation
    • The Avengers: Infinity War
    • Black Panther
    • Ready Player One
    • Solo: A Star Wars Story
  • BEST SCORE
    • Annihilation – Geoff Barrow and Ben Salisbury
    • The Ballad of Buster Scruggs – Carter Burwell
    • BlacKkKlansman – Terence Blanchard
    • First Man – Justin Hurwitz
    • If Beale Street Could Talk – Nicholas Britell
  • BEST SOUNDTRACK
    • BlacKkKlansman
    • Bohemian Rhapsody
    • The Hate U Give
    • Ready Player One
    • A Star Is Born
  • BEST ACTION FILM
    • Ant-Man And the Wasp
    • Avengers: Infinity War
    • Black Panther
    • Mission: Impossible – Fallout
    • Ready Player One
  • BEST COMEDY
    • Deadpool 2
    • The Favourite
    • Game Night
    • Paddington 2
    • Sorry to Bother You
  • BEST ANIMATED FEATURE
    • Hotel Transylvania 3: Summer Vacation
    • The Incredibles 2
    • Isle of Dogs
    • Ralph Breaks the Internet
    • Spider-Man: Into the Spider-Verse
  • BEST DOCUMENTARY FEATURE
    • Free Solo
    • RBG
    • Science Fair
    • Three Identical Strangers
    • Won’t You Be Me Neighbor?
  • BEST FOREIGN LANGUAGE FEATURE
    • Capernaum
    • The Captain
    • The Guilty
    • Roma
    • Shoplifters
  • BEST SCENE
    • BlacKkKlansman – Final montage.
    • Bohemian Rhapsody – Live Aid.
    • Roma – Beach rescue.
    • Vice – Ending.
    • Avengers: Infinity War – Thor arrives in Wakanda.
Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes

Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire… Read More

May 19, 2024

‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes

A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s… Read More

May 19, 2024

‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes

Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim… Read More

May 18, 2024

‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes

Remember the myriad of ways Queen Anne demanded affection from her court in Yorgos Lanthimos’… Read More

May 18, 2024

‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes

Romanian cinema has carved a significant niche in international film topography through its strong ties… Read More

May 18, 2024

This website uses cookies.