A24

Interview: ‘The Humans’ writer/director Stephen Karam on translating stage to screen, gathering a stellar cast for his feature debut

We all know the dreaded feeling that is coming this time of the year. The unnerving feeling of being around… Read More

November 23, 2021

Interview: Beanie Feldstein and Amy Schumer (‘The Humans’) on playing sisters and creating a cinematic bond

There is just something comforting about speaking with Beanie Feldstein and Amy Schumer.  Both actresses have the ability to make… Read More

November 23, 2021

‘C’mon C’mon’ review: A perfectly somber Joaquin Phoenix and a breakout performance from Woody Norman add up to a Mike Mills classic [Grade: A]

There is something so simple yet profound about the films of Mike Mills films. Whether it is about letting go… Read More

October 22, 2021

‘The Humans’ review: Richard Jenkins and Jayne Houdyshell marvel in the year’s most haunting film – Nashville Film Festival [Grade: A]

Play to film adaptations have always been a thing, but it seems like over the past few years they have… Read More

October 9, 2021

Interview: Director Valdimar Jóhannsson and star Noomi Rapace on the primal nature of ‘Lamb’ and birthing live animals on set

Lamb is a movie that demands to be seen, but more than that, it demands to be felt. From first-time… Read More

October 6, 2021

‘The Tragedy of Macbeth’ NYFF Q&A with Joel Coen, Frances McDormand, Denzel Washington and more

The 59th edition of the New York Film Festival officially kicked off on September 24, 2021 with the Opening Night… Read More

October 1, 2021

‘The Green Knight’ review: With confident pacing and the marvelous Dev Patel, David Lowery creates a medieval masterpiece

Within the first act of The Green Knight, King Arthur (Sean Harris) asks his nephew Gawain (Dev Patel) to sit… Read More

July 26, 2021

‘Red Rocket’ review: Simon Rex puts the come in comeback in Sean Baker’s nuanced Trump country exposé [Cannes Review]

Perhaps even more so than The Florida Project, Sean Baker’s financial and ideological investment in celluloid film pays off in… Read More

July 15, 2021

‘The Souvenir Part II’ review: Joanna Hogg’s masterful B-Side is both a compassionate exercise on grief and a celebration of feminine rebirth [Cannes Review]

It was only two years ago that writer-director Joanna Hogg carved out a gorgeous memory piece with The Souvenir, telling… Read More

July 8, 2021

Interview: Janicza Bravo and Jeremy O. Harris on bringing ‘Zola’ to the big screen and its ‘Wizard of Oz’ influence

Where were you when Zola’s tweets dropped? I remember getting a text from a friend that was like you have… Read More

July 7, 2021

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