‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review] Share this:Click to share on Twitter (Opens in new window)Click to share on Facebook (Opens in new window)Click to share on Reddit (Opens in new window)Click to share on Tumblr (Opens in new window)Click to share on WhatsApp (Opens in new window) Cannes Film Festival Film Reviews ‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review] Caroline Tsai July 6, 2021 “Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious, superfluous…” It’s the thesis of... Read More
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