Israeli director Guy Nattiv’s latest film is a biopic about the first and only female prime minister of Israel. Helen Mirren is nearly unrecognisable as... Read More
berlinale
Vasilis Katsoupis’s debut feature is a claustrophobic psychological drama that features an unbridled Willem Dafoe performance. The Berlinale is the perfect debut platform for a... Read More
Femme is a neo-noir-inspired queer revenge thriller that stars British actors Nathan Stewart-Jarrett and George MacKay. Writer-directors Sam H. Freeman and Ng Choon Ping show... Read More
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More
The Wound, the acclaimed debut by the South African director John Trengove, provides a good launchpad for his sophomore feature, with Xhosa initiation traditions swapped... Read More
Playwright Tina Satter makes her screen debut with Reality, a simmering investigative drama reconstructing the arrest of Reality Winner, an NSA contractor and ex-Air Force... Read More
American indie favorite Dustin Guy Defa returns to Berlinale with a feature almost a decade after his short film Person to Person screened fresh out... Read More
The latest film from writer-director Rebecca Miller (Maggie’s Plan, Personal Velocity) starring Oscar winners Anne Hathaway and Marisa Tomei and Emmy winner Peter Dinklage, is... Read More
Almost a decade after Memphis (2013) depicted the spiritual journey of musician Willis Earl Beal, filmmaker Tim Sutton returns to the sombre world of music... Read More
Céline Sciamma has a tradition with names. Water Lilies‘ Marie, Girlhood‘s Marieme, and Portrait of a Lady on Fire‘s Marianne all share variants of the... Read More

‘Golda’ review: An impressive Helen Mirren can’t save one-sided legacy biopic embedded with a fear of Meir | Berlinale
‘Inside’ review: Art thief Willem Dafoe gets locked up by human isolation in COVID-allegorical psychological drama | Berlinale
‘Femme’ review: George MacKay is frightening as a hyper-masculine thug in this daring London-set neo-noir | Berlinale
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
‘Manodrome’ review: Jesse Eisenberg is phenomenal in John Trengove’s fascinating take on toxic masculinity | Berlinale
‘Reality’ review: Sydney Sweeney is a tour de force in intense U.S. election whistleblower thriller | Berlinale
‘The Adults’ review: Dustin Guy Defa misses the mark in this quirky family drama | Berlinale
‘She Came to Me’ review: Peter Dinklage, Marisa Tomei and Anne Hathaway stun in ace rom-com dramedy | Berlinale
Berlinale 2022 review: In ‘Taurus’, Machine Gun Kelly exorcizes his stardom [Grade B+]
Berlin Review: Céline Sciamma’s ‘Petite Maman’ starts a tender new chapter in a life cycle of girlhood
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10