Disco Boy is both equal parts mysterious and beguiling, as director Giacomo Abbruzzese guides the audience on a harrowing, yet intimate and sometimes dream-like journey.... Read More
berlinale
Israeli director Guy Nattiv’s latest film is a biopic about the first and only female prime minister of Israel. Helen Mirren is nearly unrecognisable as... Read More
Vasilis Katsoupis’s debut feature is a claustrophobic psychological drama that features an unbridled Willem Dafoe performance. The Berlinale is the perfect debut platform for a... Read More
Femme is a neo-noir-inspired queer revenge thriller that stars British actors Nathan Stewart-Jarrett and George MacKay. Writer-directors Sam H. Freeman and Ng Choon Ping show... Read More
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More
The Wound, the acclaimed debut by the South African director John Trengove, provides a good launchpad for his sophomore feature, with Xhosa initiation traditions swapped... Read More
Playwright Tina Satter makes her screen debut with Reality, a simmering investigative drama reconstructing the arrest of Reality Winner, an NSA contractor and ex-Air Force... Read More
American indie favorite Dustin Guy Defa returns to Berlinale with a feature almost a decade after his short film Person to Person screened fresh out... Read More
The latest film from writer-director Rebecca Miller (Maggie’s Plan, Personal Velocity) starring Oscar winners Anne Hathaway and Marisa Tomei and Emmy winner Peter Dinklage, is... Read More
Almost a decade after Memphis (2013) depicted the spiritual journey of musician Willis Earl Beal, filmmaker Tim Sutton returns to the sombre world of music... Read More

‘Disco Boy’ review: Franz Rogowski enchants in Giacomo Abbruzzese’s daring, dreamlike debut feature | Berlinale
‘Golda’ review: An impressive Helen Mirren can’t save one-sided legacy biopic embedded with a fear of Meir | Berlinale
‘Inside’ review: Art thief Willem Dafoe gets locked up by human isolation in COVID-allegorical psychological drama | Berlinale
‘Femme’ review: George MacKay is frightening as a hyper-masculine thug in this daring London-set neo-noir | Berlinale
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
‘Manodrome’ review: Jesse Eisenberg is phenomenal in John Trengove’s fascinating take on toxic masculinity | Berlinale
‘Reality’ review: Sydney Sweeney is a tour de force in intense U.S. election whistleblower thriller | Berlinale
‘The Adults’ review: Dustin Guy Defa misses the mark in this quirky family drama | Berlinale
‘She Came to Me’ review: Peter Dinklage, Marisa Tomei and Anne Hathaway stun in ace rom-com dramedy | Berlinale
Berlinale 2022 review: In ‘Taurus’, Machine Gun Kelly exorcizes his stardom [Grade B+]
Producers Guild Awards Nominations for Sports, Children’s and Short-Form Programs
Wim Wenders to Lead 76th Berlin International Film Festival Jury
2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY (December)
San Diego Film Critics Society (SDFCS) Nominations: ‘One Battle After Another,’ ‘Sinners’ Lead