‘Chicken Run: Dawn of the Nugget’ Review: This Bird Barely Flies | LFF
The 2000 Aardman animated film Chicken Run is about as close to a perfect family film as you can get. The Great Escape-inspired frolic from... Read More
BFI london film festival
‘Cobweb’ Review: Song Kang-ho is Pitch-perfect in this Delirious Meta-Comedy | LFF
Writer-director Jim Jee-woon reteams with Parasite actor Song Kang-ho in this delirious, self-knowing satire on the filmmaking process. Cobweb asks meaningful questions about the creative... Read More
‘Only the River Flows’ Review: Wei Shujun’s Gritty Neo-Noir Grips with Old-Fashioned Storytelling | LFF
People are innately intrigued with murder mysteries and the reasonings behind such violent and heinous acts. It’s human nature to want to discover the truth,... Read More
Emerald Fennell’s ‘Saltburn’ to open 67th BFI London Film Festival
Amazon Studios and MGM announced today that Saltburn, Emerald Fennell’s follow-up to her Oscar-winning debut Promising Young Woman, will open the 67th BFI London Film... Read More
‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
‘Inland’ review: Mark Rylance enchants in this realistic yet enigmatic folklore-influenced directorial debut from Fridtjof Ryder | LFF
English writer-director Fridtjof Ryder’s directorial debut is a taut, well-made micro budget feature. After a successful crowdfunding campaign and production moving ahead, Ryder’s film caught... Read More
‘No Bears’ review: Jafar Panahi turns the camera on himself in powerful, subtly playful examination of limits personal, political and artistic | LFF
The remarkable prolificacy of Iranian filmmaker Jafar Panahi, and the even-more-remarkable spirit of subversiveness that has only burgeoned in his work since his arrest and... Read More
‘Nanny’ review: Predictability hobbles what could have been a fascinating take on the horror of trauma | LFF
It is both the blessing and the burden of just about every modern horror movie that it must be about trauma. It’s not just an... Read More
‘Blue Jean’ review: Georgia Oakley’s searing feature debut is a remarkably poignant British drama of the viciously homophobic Thatcher era [A] | LFF
It’s 1988 in Tyneside, North East England, and Margaret Thatcher has been Prime Minister for a year when the conservative government enacts Section 28, a... Read More
‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)
Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with The Phantom of the Open... Read More
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’ 
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW] 
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]