2022 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (February)
In another pair of two-horse races, both Film Editing and Cinematography is a fight between nomination leaders Dune and The Power of the Dog, who... Read More
film editing
FINAL 2022 Oscar Nomination Predictions: FILM EDITING and CINEMATOGRAPHY
Something very interesting happened at BAFTA this morning and something I didn’t see coming but now makes perfect sense. While the expected films were nominated... Read More
2022 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (December)
We won’t have guild nominations for film editing (ACE) and cinematography (ASC) until next month but there are a few critics groups who expand outside... Read More
2022 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY (November)
Every couple of years, the Oscars and other awards groups like to trot out ‘The Year of the Woman’ in a way that acts more... Read More
Interview: Editor Úna Ní Dhonghaíle (‘Belfast’) on her collaboration with Kenneth Branagh and creating under COVID
Very few films this year will spark as much joy as Sir Kenneth Branagh’s Belfast. A true love letter to Branagh’s hometown took a village... Read More
FINAL 2021 Oscar Predictions: FILM EDITING
The film editing precursors this season have had more cutting and zig-zagging than that scene in Bohemian Rhapsody. Sound of Metal and The Trial of... Read More
FINAL 2021 Oscar Nomination Predictions: FILM EDITING
I held off on posting my Film Editing predictions until the American Cinema Editors (ACE) revealed their ACE Eddie nominations and I’m glad I did... Read More
2021 Oscar Predictions: FILM EDITING (February)
We seem to be back in the era where a film editing nomination is crucial to a Best Picture win. Back in the day, it... Read More
2021 Oscar Predictions: FILM EDITING (January)
The Trial of the Chicago 7, Da 5 Bloods and Tenet keep rising. All feature a style of editing the branch loves (more vs less,... Read More
2021 Oscar Predictions: FILM EDITING (December)
The Trial of the Chicago 7 makes a jump over Mank, just as it did in original screenplay, as it feels like it just might... Read More
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] 
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW] 
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019) 
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead