‘The Valet’ review: Eugenio Derbez charms in French farce remake but attempts to take on deep topics get stuck in first gear [Grade: B-]
There is a lot of discourse around foreign language films being remade for English-speaking audiences. While sometimes it feels completely unnecessary, there are times when... Read More
max greenfield
Sundance Review: ‘Promising Young Woman’ wants to get rid of toxic in community
Revenge is a dish served ice cold in Emerald Fennell’s directorial debut film premiering at Sundance 2020, Promising Young Woman. This film is more than... Read More
6th Set Decorators Society of America (SDSA) Awards: ‘Frankenstein,’ ‘Hamnet,’ ‘One Battle After Another’ Take Top Honors 
76th Berlin Film Festival Awards: ‘Yellow Letters’ Wins Golden Bear for Best Film; ‘Queen at Sea’ Nabs Two Among Festival Unrest Over Politics 
‘Flies (Moscas)’ Review: To Be a Fly on the Wall is to See All in Fernando Eimbcke’s Quiet Family Drama [B-] Berlinale 
‘The Blood Countess’ Review: Isabelle Huppert’s Glamorous Vampire Mother Rises Above Baroque Bungle [C-] Berlinale