‘The Valet’ review: Eugenio Derbez charms in French farce remake but attempts to take on deep topics get stuck in first gear [Grade: B-]
There is a lot of discourse around foreign language films being remade for English-speaking audiences. While sometimes it feels completely unnecessary, there are times when... Read More
max greenfield
Sundance Review: ‘Promising Young Woman’ wants to get rid of toxic in community
Revenge is a dish served ice cold in Emerald Fennell’s directorial debut film premiering at Sundance 2020, Promising Young Woman. This film is more than... Read More
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‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW 
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