London Film Festival Review: Rose Glass’ slow-burn horror ‘Saint Maud’ is a potent debut feature
As the nights turn longer and the weather turns colder, here’s a happy thought: at…
movie review
London Film Festival Review: ‘The House of Us’ is an utter delight
It’s no wonder kids find us adults so baffling so much of the time. After…
Review: Todd Phillips’ ‘Joker’ is dark, gritty and fearless; Phoenix is mesmerizing
First things first, put aside all your comic book hero expectations. DC’s Joker is one…
Review: In ‘The Irishman,’ Scorsese’s mobsters age, facing their own mortality
Legends reunite in Martin Scorsese’s sprawling gangster epic featuring a rousing performance by Al Pacino…
LFF Review: Alfre Woodard is mesmerizing in ‘Clemency’
A stark, sombre drama with barely a second’s worth of levity, Chinonye Chukwu’s Clemency is…
Review: ‘Ad Astra’ is a profound examination of the question of one’s own existence
Brad Pitt Ventures into Space in James Gray’s Beautifully Intimate Astronaut Drama Ad Astra is…
Review: The outrageously funny ‘Dolemite Is My Name’ is a career comeback showcase for Eddie Murphy
Four of the last ten Best Picture Oscar winners have been about artists, performers or…
LFF Review: The fascinating, abstract ‘Monos’ marvels as much as it confounds
There are monsters, and then there are monsters! Here, on this fertile, bounteous planet, the…
LFF Review: Shoddy, messy ‘Little Monsters’ is a waste of Lupita Nyong’o
Little did Lupita Nyong’o know, I suppose, that when she signed onto a zombie comedy…
Toronto Review: ‘Noura’s Dream’
Hinde Boujemaa’s debut feature is an interesting exploration of women’s rights in modern-day Tunisia Making…