SXSW Review: John Leguizamo’s ‘Critical Thinking’ makes chess inspiring
John Leguizamo continues to create stories that matter; that give a face to underrepresented groups….
movie review
Film Review: ‘The Hunt’ aims for Trumpian satire but misses its target
Sensationalism is a powerful marketing tool: just ask ‘50s huckster William Castle, who marketed B-horror…
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Film Review: Ben Affleck gives a career best performance in ‘The Way Back’
On the surface The Way Back comes off as just another sports movie, and the…
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Film Review: Eva Green just needs a little space in ‘Proxima’
The annual ‘Rendezvous with French Cinema‘ series opens tomorrow (March 5th) at the Film at…
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Film Review: Humor and heart prevail in ‘Onward’
Onward is the perfect mix of humor and heart. It’s a tale of legacy and rediscovering…
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Film Review: ‘Emma.’ Period. End of Sentence.
The character of Jane Austen’s Emma has always been a bit of a pain in…
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Film Review: There’s more love to be found in ‘To All The Boys: P.S. I Still Love You’
To All The Boys: P.S. I Still Love You perfectly captures the angst and awkwardness of…
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Film Review: Julia Garner is absolutely revelatory in Kitty Green’s taut, #MeToo drama ‘The Assistant’
My very first job interview when I moved to New York twenty years ago was…
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Review: ‘The Gentlemen’ is a gangster’s paradise
The Gentlemen is a highly stylized, well-written gangster romp that’s entertaining as hell. Writer/director Guy Ritchie has outdone himself in…
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Sundance Review: ‘Taylor Swift: Miss Americana’
When the title card for the new Netflix documentary, Miss Americana, appeared on screen at…
