Frameline50 Reviews: ‘Drunken Noodles,’ ‘On the Road,’ ‘Sparks,’ ‘Strange River’
For half a century, the nonprofit organization Frameline has championed queer cinema in a mission to connect filmmakers and audiences in the Bay Area and... Read More
sparks
Interview: Edgar Wright on the impact and influence of ‘The Sparks Brothers’
Who knew 2021 would be the Year of the Sparks? The band commonly referred to as “your favorite band’s favorite band”—the cult band who only... Read More
‘Annette’ Review: Leos Carax’s occasionally unwieldy rock opera gleefully leans into camp [Cannes Review]
“Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious, superfluous…” It’s the thesis of... Read More
2021 Cannes opener ‘Annette’ with Adam Driver and Marion Cotillard, releases first single “So May We Start” by Sparks
Set to open the 74th annual Cannes Film Festival, Annette marks the first English-language film from visionary director Leos Carax, with music by Sparks’ Ron and Russell... Read More
‘Daughter From Hell’ Review: Gracie Abrams Dulls the Pain with Even Duller Melodies [C] 
Palm Springs International Film Society (PSIFS) Announces Two Awards in Honor of Former Festival Chairman and Philantropist Harold Matzner 
Danny Boyle’s ‘Ink’ to Open 83rd Venice Film Festival 
Director Watch Ep. 163: ‘Oppenheimer’ (Christopher Nolan, 2023)