‘Marcel the Shell with Shoes On’ review: Takes a foothold on your heart and never lets go [Grade: A-] | SXSW
As time has gone on, and you grow up, one starts to notice that we live in a cynical, harsh world lacking the impulse to... Read More
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‘Bodies Bodies Bodies’ review: A committed, youthful ensemble isn’t enough to keep this horror house party going [Grade: C] | SXSW
Tell me if you have heard this one before? A group of friends, who haven’t seen each other in a while, are trapped in a... Read More
‘Apollo 10 ½: A Space Age Childhood’ review: To nostalgia and beyond [Grade: B] | SXSW
Over the last couple of years, we have seen directors take themselves back to times in their lives, and retell events or stories of their... Read More
‘The Unbearable Weight of Massive Talent’ review: Being Nic Fucking Cage [Grade: B+] | SXSW
“Who is Nicolas Cage?” It was the final question to our interview we had a couple of months back with the veteran, legendary actor in... Read More
‘The Lost City’ review: Sandra Bullock and Channing Tatum charm in a cute but stale retread of familiar jungle territory [Grade: B-] | SXSW
The phrase “they don’t make them like they used to” is floated around a lot with modern art, whether it is movies, books, television, or... Read More
SXSW Review: ‘Women Is Losers’ aims high but falls short despite winning performance from Lorenza Izzo
Set in 1960s and 1970s San Francisco, Women Is Losers, cannot be faulted for its ambition. With a higher production value than most first features,... Read More
SXSW Review: ‘I’m Fine (Thanks for Asking)’ is just, well, fine
Set during, yet never mentioning, the ongoing pandemic, I’m Fine (Thanks for Asking) follows widowed Danny (Kelley Kali), mother of a young daughter named Wes... Read More
SXSW Review: ‘Ludi’ deftly explores identity and the American Dream with a breakout performance by Shein Mompremier
The greatest thing one can say about art is how it broadens their horizons. Director Edson Jean’s debut feature Ludi certainly had that type of... Read More
SXSW Review: A weaker strain in the era of the COVID comedy, ‘Recovery’ doesn’t commit to the heart of the joke
Written by and starring Mallory Everton and Whitney Call, Recovery doesn’t make any mistake about its time and place. Set in the beginning stages of... Read More
SXSW Review: Despite a thrilling performance from Leah Purcell, ‘The Drover’s Wife’ never reaches its full potential
When we are little, we are told stories that mold our inspirations as human beings. Some tales are wrapped within decades of different versions and... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10