TIFF21

TIFF Review: Michael Showalter’s ‘The Eyes of Tammy Faye’ is a fascinating character study led by a career-best performance from Jessica Chastain [Grade: A-]

A wonderful showcase for the incredible talent of Jessica Chastain, The Eyes of Tammy Faye looks at opportunism and exploitation… Read More

September 13, 2021

TIFF Review: Nadav Lapid’s bold ‘Ahed’s Knee’ delivers scathing political critique and a piercing look at decaying humanity [Grade: A-]

One of the year’s most striking films, marked by daring originality and a singular directorial vision, Ahed's Knee is unlike… Read More

September 13, 2021

TIFF Review: ‘Violet’ gives voice to the violent self-destruction of anxiety, even as the gimmick gets old [Grade: B-]

Why can’t I stop this voice in my head? This phrase, one of many blasted in cursive in the margins… Read More

September 13, 2021

TIFF Review: ‘The Electrical Life of Louis Wain’ is a dizzyingly quirky biopic about England’s original cat dad [Grade: A-]

Many artists are never appreciated in their time; others get the appreciation, but little of the money and fame. The… Read More

September 13, 2021

TIFF Review: Riz Ahmed is once again a powerhouse in minimalist sci-fi pic ‘Encounter’ [Grade: A-]

Just last year, Riz Ahmed wowed viewers with his stirring, Oscar-nominated portrayal of a drummer losing his hearing in Sound… Read More

September 13, 2021

TIFF Review: Poland’s Oscar entry ‘Leave No Traces’ is a sobering thriller about the state of police brutality [Grade: B]

Though director Jan Matuszyńki insists Burn After Reading was the single biggest influence on his sophomore feature and Oscars entry,… Read More

September 13, 2021

TIFF Review: Juho Kuosmanen’s ‘Compartment No. 6’ is a touching film on the essentialness of human connection [Grade: B+]

Quietly ruminating on what brings us together as humans, especially our need to connect as we navigate the harshness, and… Read More

September 12, 2021

TIFF Review: ‘Mothering Sunday’ is a lusty, languid tale of death and creative rebirth [Grade: B-]

England, 1924 — World War I has been over for half a decade, but for many, the wounds of the… Read More

September 12, 2021

TIFF Review: Mahamat-Saleh Haroun’s abortion drama ‘Lingui, the Sacred Bonds’ is a celebration of the resilience of Chadian women [Grade: B]

An interesting exploration of what it’s like to be a woman in modern-day Chad, Mahamat-Saleh Haroun’s latest and much anticipated… Read More

September 12, 2021

This website uses cookies.