tilda swinton

‘The Killer’ Review: Stop Me If You Think You’ve Heard This One Before | Venice

That The Killer is David Fincher’s first film with a runtime under two hours in more than twenty years is… Read More

September 3, 2023

2024 Oscar Predictions: SUPPORTING ACTRESS (May)

As mentioned in this month's Supporting Actor piece yesterday, the awards history for The Color Purple, the 1985 film, 2005… Read More

May 12, 2023

‘Problemista’ review: Julio Torres’s inventive immigration satire finds him bonded with an extra kooky Tilda Swinton | SXSW

When we first meet Alejandro at a young age in Problemista, he is dreaming of a world beyond the one… Read More

March 14, 2023

‘The Eternal Daughter’ review: Tilda Swinton sees double in Joanna Hogg’s mother-daughter gothic ghost story [A-] | NYFF

Late in Joanna Hogg's exquisite autobiographical b-side, The Souvenir Part II, our protagonist finds herself wandering through a hall of… Read More

October 11, 2022

‘The Eternal Daughter’ review: Tilda Swinton shines in Joanna Hogg’s painful, personal drama [A] | Venice Film Festival

Telling someone they are being “very British” is almost never meant as a compliment. The cursed phrase connotes repression, quiet,… Read More

September 6, 2022

Cannes Review: ‘Three Thousand Years of Longing’ is a gentle feast about the endurance of love in all its forms from master George Miller [Grade: B+]

If, like me, news of a George Miller movie at Cannes piqued your appetite for another dripping hamburger in the… Read More

May 23, 2022

Trailer: George Miller’s ‘Three Thousand Years of Longing’ conjures up fantasy and mayhem with Tilda Swinton and Idris Elba

MGM and United Artists Releasing have offered the full trailer for George Miller's latest creation, Three Thousand Years of Longing,… Read More

May 20, 2022

‘Memoria’ review: Tilda Swinton investigates an eerie mystery in Apichatpong Weerasethakul’s slow-burning epic [Cannes Review]

It starts with a bang. Not the metaphorical, head-first into action kind of bang — not that you would ever… Read More

July 16, 2021

‘The French Dispatch’ review: Wes Anderson dials up the quirk in anthological homage to journalism [Cannes Review]

“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote… Read More

July 13, 2021

‘The Souvenir Part II’ review: Joanna Hogg’s masterful B-Side is both a compassionate exercise on grief and a celebration of feminine rebirth [Cannes Review]

It was only two years ago that writer-director Joanna Hogg carved out a gorgeous memory piece with The Souvenir, telling… Read More

July 8, 2021

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