‘All Quiet on the Western Front’ review: Edward Berger’s adaptation of Remarque’s classic anti-war novel is a staggering achievement [A] | Toronto
At the beginning of his 1928 novel, All Quiet on the Western Front, Erich Maria Remarque issues the following statement: “This book is to be... Read More
toronto international film festival
‘Glass Onion: A Knives Out Mystery’ review: Rian Johnson’s follow-up to his smash hit is a worthy sequel that entertains and grips throughout [B+] | Toronto
One of the most anticipated films at this year’s Toronto International Film Festival, Rian Johnson’s Glass Onion: A Knives Out Mystery arrives three years after... Read More
‘A Gaza Weekend’ review: Basil Khalil’s feature debut is an underwhelming, uneven comedy of finding human compassion in the direst of circumstances [C-] | Toronto
One of the most anticipated feature debuts at this year’s Toronto International Film Festival, Basil Khalil’s A Gaza Weekend is the filmmaker’s follow-up to his... Read More
The AwardsWatch Podcast #153: TIFF 2022 Wrap Up
On episode 153 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer,... Read More
‘Raymond & Ray’ review: Ethan Hawke and Ewan McGregor lead a game cast who thread the needle of tragedy and comedy beautifully in Rodrigo García’s best film to date [B] | Toronto
Half-brothers Raymond (Ewan McGregor) and Ray (Ethan Hawke) have one thing in common: They hate their father. The no-good son of a bitch made life... Read More
‘The Fabelmans’ review: Steven Spielberg’s most personal film celebrates the art and struggles of telling stories through film [B+] | Toronto
In his most personal film to date, one that will certainly delight cinephiles as well as mainstream audiences who love his work, Steven Spielberg’s The... Read More
TIFF 2022: Steven Spielberg’s ‘The Fabelmans’ wins TIFF People’s Choice Award, locks in Oscar prospects
Steven Spielberg’s The Fabelmans, the personal tale of his growing up years and his inspirations as a young filmmaker, has won the 2022 TIFF People’s... Read More
‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto
Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope. Within its short run time,... Read More
‘Saint Omer’ review: Alice Diop’s feature debut is a radical, unsettling, and fascinating look at motherhood [A-] | Toronto
There are films that linger with you after the lights go back on. You keep thinking about them, their characters never leaving your thoughts, as... Read More
‘Sanctuary’ review: Christopher Abbott and Margaret Qualley sizzle in a twisty, sexy romance that slaps [B+] | Toronto
BDSM has gotten a bad rap on film. Often presented as something indicative of a broken psyche or deviant behavior, the closest we’ve gotten to... Read More
2025 Oscar Predictions: FILM EDITING, CINEMATOGRAPHY, COSTUME DESIGN, PRODUCTION DESIGN (December) 
2025 Oscar Predictions: MAKEUP & HAIRSTYLING, ORIGINAL SCORE, ORIGINAL SONG, SOUND, VISUAL EFFECTS (December) 
Interview: Director Robert Eggers (‘Nosferatu’) on the Consequences of Temptation, Training Hundreds of Rats, and Playing with Vampire Lore 
Interview: Guy Pearce on the Beauty and Violence of ‘The Brutalist’ and Van Buren’s Call to His Therapist