Wes Anderson’s latest film, The Phoenician Scheme, starts off with a bang. No literally it does, as we find Anatole “Zsa-zsa” Korda (Benicio del Toro),... Read More
wes anderson
The official selection of the 78th Cannes Film Festival was revealed today, featuring an exciting slate of Festival newcomers and mainstays. In a reprise of... Read More
The first of four Roald Dahl short stories adapted by Wes Anderson as part of Netflix’s reported half-a-billion-dollar deal with the Dahl Estate, The Wonderful... Read More
On episode 196 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Zach Laws, and Josh Parham to discuss... Read More
On episode 189 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer and Zach... Read More
Few modern filmmakers have established an aesthetic as distinctive as Wes Anderson. Scroll through social media on any given day and you’ll see fan-created artwork... Read More
With an explosion of pastel colours, precise camera moves and a whimsical script, Asteroid City is Wes Anderson operating at his best, still doing his... Read More
Ahead of its world premiere in competition at the Cannes Film Festival this week, Focus Features has dropped three first look clips of Asteroid City,... Read More
“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote in the founding prospectus for... Read More
24 titles were revealed this morning as in competition films for the 74th Cannes Film Festival, announced today by Thierry Frémaux, artistic director and general... Read More

‘The Phoenician Scheme’ Review: Wes Anderson’s Latest Explores the Meaning of Legacy and Features a Superb Breakthrough Performance from Mia Threapleton [A-] Cannes
2025 Cannes Film Festival Lineup: New Films From Wes Anderson, Julia Ducournau, Joachim Trier, Double Josh O’Connor In Competition
‘The Wonderful Story of Henry Sugar’ Review: Wes Anderson’s First of Four New Adaptations of Roald Dahl Shorts Heralds a New Era for the Filmmaker | Venice
AwardsWatch Podcast #196: Our Top 5 Modern Directors
AwardsWatch Podcast #189: Reviewing ‘Asteroid City’ and our Top 5 Wes Anderson films
Everything in its right place: Ranking the films of Wes Anderson from ‘Bottle Rocket’ to ‘Asteroid City’
‘Asteroid City’ review: Wes Anderson’s homage to Steven Spielberg is among his most meta and most melancholic | Cannes
Focus Features drops first look clips of ‘Asteroid City’ ahead of its Cannes Film Festival debut
‘The French Dispatch’ review: Wes Anderson dials up the quirk in anthological homage to journalism [Cannes Review]
2021 Cannes Film Festival Lineup: Big auteurs, expanded lineups and a record number of women filmmakers
‘Palm Royale’ TV Review: Soirees, Serial Killers and Soap Tropes Make Sophomore Season More Confident and Absurd Than the First
‘Pluribus’ TV Review: Rhea Seehorn is the Worst Person in the World [A]
Interview: Mary Bronstein and Rose Byrne on Molding an Immersive Experience of Modern Motherhood with ‘If I Had Legs I’d Kick You’
Interview: Jafar Panahi on Making a Statement of Forgiveness Rather Than Revenge with ‘It Was Just an Accident’