TIFF19: Platform lineup for Toronto International Film Festival revealed

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Rocks by Sarah Gavron will world premiere at the Toronto International Film Festival as the Platform section’s opening night film

The Festival’s juried program features films from Anthony Chen, Julie Delpy, Sarah Gavron, Paula Hernández, Pietro Marcello, Darius Marder, Kazik Radwanski, Federico Veiroj, Alice Winocour, and David Zonana

The Toronto International Film Festival today unveiled the 10 features that comprise the
Platform competition for 2019, a year rich in perspectives, genres, and exceptional performances by newcomers as well as established actors. Ranging from first-time feature directors to veterans at turning points in their careers, this year’s Platform filmmakers offer a panoramic view of the diverse range of talent and distinct directorial voices that are emerging around the globe.

Of the 10 features in this year’s Platform selection, 40% are directed by women. The films hail from a wide range of regions, including Europe, Latin America, East Asia, and the US. Kazik Radwanski’s Anne at 13,000 ft is the standout Canadian title in the program’s 2019 lineup, grounded in a career-best performance by Deragh Campbell (TIFF 2015 Rising Star).

“With a dynamic, international slate that assembles some of brightest cinematic voices of today and tomorrow, this year’s lineup distills the essence of the Festival,” said Cameron Bailey, Platform Co-Curator and TIFF Artistic Director and Co-Head. “These films tackle some of the most urgent concerns of our day using original, exciting cinematic language.”

“Competitions should celebrate the range of what great cinema is and what it can accomplish. Platform is alive to those possibilities,” said Platform Co-Curator Andréa Picard. “Whether they are debuts or mid-career works, these films push the boundaries of narrative filmmaking in surprising and rigorous ways, some using documentary or experimental techniques in their approaches. Audiences will recognize similar themes emerge like a global collective subconscious, but what is truly exciting is the varied means of cinematic expression on display.”

Highlights include the World Premieres of Wet Season by Singapore-based director and producer Anthony Chen, the anticipated follow-up to his breakout debut Ilo Ilo (TIFF 2013); Julie Delpy’s My Zoe, a genre-bending tale of a mother’s navigation of grief that stars Delpy alongside Richard Armitage and Daniel Brühl; and Alice Winocour’s Proxima, an incisive drama following an astronaut and mother as she faces an impossible decision, featuring remarkable performances by Eva Green, Lars Eidinger, Matt Dillon, and Sandra Hüller.

In addition to new films by established directors, this year’s lineup boasts a number of exciting feature debuts, including Darius Marder’s Sound of Metal, starring Riz Ahmed (alongside Olivia Cooke and Mathieu Amalric) as a professional drummer whose life is thrown into freefall when he begins to lose his hearing. Also of note is Workforce, the debut feature by Mexican filmmaker David Zonana. Produced by Michel Franco, the
class-conscious drama follows a group of construction workers who seek justice after a workplace accident.

Now in its fifth year, Platform is the Toronto International Film Festival’s competitive program that champions bold directorial visions. All 10 films in the program are eligible for the Toronto Platform Prize an award of $20,000 CAD given to the best film in the program, selected by a three-person jury. Berlinale Artistic Director Carlo Chatrian, film critic Jessica Kiang, and filmmaker Athina Rachel Tsangari make up this year’s jury.
Named after Jia Zhang-ke’s trailblazing second feature, Platform is curated by Bailey and Picard, who is also Lead Curator for the Wavelengths programme. The Platform selection committee comprises TIFF Cinematheque Director Brad Deane; Ming-Jenn Lim, Senior Manager of Theatrical Programming at TIFF Bell Lightbox and Lydia Ogwang, TIFF Cinematheque programmer.

TIFF 2019 lineup includes world premieres of Harriet, Jojo Rabbit, Dolemite is My Name, Just Mercy and more

Previous Platform selections include Alex Ross Perry’s Her Smell (2018), Karyn Kusama’s Destroyer (2018), Clio Barnard’s Dark River (2017), Kamila Andini’s The Seen and Unseen (2017), Bertrand Bonello’s Nocturama (2016), Barry Jenkins’ Moonlight (2016), and Gabriel Mascaro’s Neon Bull (2015).

The 44th Toronto International Film Festival runs September 5–15, 2019.

Platform’s complete 2019 lineup:

Anne at 13,000 ft Kazik Radwanski | Canada/USA
World Premiere

Platform Closing Film
Martin Eden
Pietro Marcello | Italy/France
International Premiere

The Moneychanger (Así Habló El Cambista) Federico Veiroj | Uruguay/Argentina/Germany
World Premiere

My Zoe Julie Delpy | Germany/France
World Premiere

Proxima Alice Winocour | France/Germany
World Premiere

Platform Opening Film
Rocks
Sarah Gavron | United Kingdom
World Premiere

The Sleepwalkers (Los Sonámbulos) Paula Hernández | Argentina/Uruguay
World Premiere

Sound of Metal Darius Marder | USA
World Premiere

Wet Season Anthony Chen | Singapore/Taiwan
World Premiere

Workforce (Mano De Obra) David Zonana | Mexico
World Premiere

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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