TIFF47: Discovery, Midnight Madness and Wavelength programs announced

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Kevin Williamson’s SICK (Photo: Danno Nell)

The Toronto International Film Festival announced today the 2022 selection for Discovery, Midnight Madness, and Wavelengths programs. This lineup features 54 titles from filmmakers representing 26 countries, including the world premieres of Weird: The Al Yankovic Story with Daniel Radcliffe, Elegance Bratton’s The Inspection with Jeremy Pope, Benjamin Millepied’s take on the opera Carmen, starring Melissa Barrera and Paul Mescal and new horror from Kevin Williamson (Scream) with Sick.

“For TIFF audiences in the know, the Discovery, Midnight Madness and Wavelengths programmes are where you’re rewarded for taking risks and being adventurous,” said Anita Lee, Chief Programming Officer, TIFF. “Whether it’s the discovery of an audacious new auteur, a brilliant visionary work that reimagines storytelling or the most wicked cinematic experience you will ever have, this is where you will find it.”

DISCOVERY

“TIFF’s Discovery programme is a showcase of cinema and talent from around the world — a place to unearth work that is bold, distinctive, and, above all, passionate,” said Dorota Lech, Discovery Lead and International Programmer, TIFF. “The section has a rich history of championing the first and second features of visionary filmmakers such as Chantal Akerman, Julie Dash, Yorgos Lanthimos, Ildikó Enyedi, Jafar Panahi, Trinh T. Minh-ha, Steve McQueen, Michael Haneke, Christopher Nolan, Lav Diaz, Barry Jenkins, Alfonso Cuarón, Athina Rachel Tsangari, Warwick Thornton, Maren Ade, Joachim Trier, David Gordon Green, Pablo Larraín, Valeska Grisebach, and Jean-Marc Vallée, to name just a handful. This year’s robust programme offers 24 films that shook us to the core, filled us with joy, broke our hearts, and, most importantly, reminded us that the future is bright.”

Aristotle and Dante Discover the Secrets of the Universe Aitch Alberto | USA 
World Premiere 

Baby Ruby Bess Wohl | USA
World Premiere

Carmen Benjamin Millepied | Australia, France 
World Premiere

Daughter of Rage (La Hija de todas las Rabias) Laura Baumeister | Nicaragua
World Premiere

A Gaza Weekend Basil Khalil | United Kingdom, Palestine 
World Premiere 

I Like Movies Chandler Levack | Canada
World Premiere

Discovery Opening Night Film 
The Inspection
 Elegance Bratton | USA 
World Premiere

A Long Break Davit Pirtskhalava | Georgia
World Premiere

Pussy Joseph Amenta | Canada
World Premiere 

Return to Seoul Davy Chou | South Korea, France, Germany, Belgium 
International Premiere

ROSIE Gail Maurice | Canada
World Premiere 

Runner Marian Mathias | USA, France, Germany 
World Premiere

SHIMONI Angela Wanjiku Wamai | Kenya 
World Premiere

Snow and the Bear Selcen Ergun | Turkey, Germany, Serbia 
World Premiere

Something You Said Last Night Luis De Filippis | Canada, Switzerland 🇨🇦
World Premiere

Susie Searches Sophie Kargman | USA
World Premiere

Sweet As Jub Clerc | Australia 
International Premiere

The Taste of Apples is Red Ehab Tarabieh | Israel, Germany
World Premiere

This Place V.T. Nayani | Canada
World Premiere

Unruly (Ustyrlig) Malou Reymann | Denmark 
World Premiere

Until Branches Bend Sophie Jarvis | Canada
World Premiere

When Morning Comes Kelly Fyffe-Marshall | Canada
World Premiere

The Young Arsonists Sheila Pye | Canada
World Premiere

*** An additional title to be confirmed at a later date.

MIDNIGHT MADNESS

“I am thrilled to announce that Midnight Madness has returned to its traditional 10-film configuration and has a new home at the Royal Alexandra Theatre,” said section curator Peter Kuplowsky. “I also couldn’t have hoped for a more appropriate Opening Night film than Weird: The Al Yankovic Story — a beautifully deranged ‘biopic’ made in the great Midnight movie tradition of challenging conventions and forging one’s own path, no matter how weird.”

Starring Daniel Radcliffe as music and comedy legend “Weird Al” Yankovic, the film leads a gonzo Midnight Madness lineup that includes a double dose of gore-filled action (Sisu and Project Wolf Hunting), two wildly surprising new instalments to iconic horror films (Pearl and V/H/S 99), some magnificently meta genre comedies (The BlackeningThe People’s Joker, and Leonor Will Never Die), and a few killer creative horror team-ups (John Hyams and Kevin Williamson’s Sick, Jaume Balagueró and Álex de la Iglesia’s Venus).

Concluding, Kuplowsky added: “This year, fans of the weird and the wicked will be spending most of their TIFF living in a Midnight Madness paradise.”

The Blackening Tim Story | USA
World Premiere 

 Midnight Madness Closing Night Film  
Leonor Will Never Die
 Martika Ramirez Escobar | Philippines
Canadian Premiere 

Pearl Ti West | USA
North American Premiere

The People’s Joker Vera Drew | USA 
World Premiere

Project Wolf Hunting Kim Hongsun | South Korea 
World Premiere 

Sick John Hyams | USA 
World Premiere

Sisu Jalmari Helander | Finland
World Premiere

Venus Jaume Balagueró | Spain 
World Premiere 

V/H/S 99 Flying Lotus, Johannes Roberts, Maggie Levin, Tyler MacIntyre, Vanessa & Joseph Winter | USA
World Premiere

Midnight Madness Opening Night Film 
Weird: The Al Yankovic Story
 Eric Appel | USA 
World Premiere

WAVELENGTHS 

“The selections in this year’s Wavelengths lineup reimagine the possibilities of cinema in ways both inspiring and rejuvenating,” said Senior Curator Andréa Picard. “The programme itself continues to champion film as art in a climate increasingly challenging for non-commercial and non-conforming work. The filmmakers and artists in this year’s edition expand the language of film and video, employing narrative, documentary, hybrid, and formalist approaches to assert film’s status as an autonomous art form and the cinema itself as an essential, communal experience.”

Showcasing a mix of established auteurs, celebrated visual artists, and emerging filmmakers, this year’s Wavelengths presents eight features, two shorts programmes, and an exhibition, placing timeless, durational works alongside projects of the utmost contemporary urgency — each political by nature of its very existence and, by extension, resistance. Additionally, we are honoured to present a number of important moving-image works from recent gallery and museum exhibitions in the cinema, including an exceptional theatrical screening of Tacita Dean’s latest 16mm film, Fata Morgana. Another of this year’s highlights includes the first Canadian solo exhibition of Brooklyn-based Moroccan artist Meriem Bennani in an exciting partnership with The Power Plant Contemporary Art Gallery and The Vega Foundation. Meriem Bennani: Life on the CAPS will be exhibited free to the public at The Power Plant from September 9 through 18.

FEATURES 

Concrete Valley Antoine Bourges | Canada
World Premiere

De Humani Corporis Fabrica Véréna Paravel, Lucien Castaing-Taylor | France, Switzerland
North American Premiere

Dry Ground Burning (Mato Seco em Chamas) Joana Pimenta, Adirley Queirós | Portugal, Brazil 
North American Premiere

Horse Opera Moyra Davey | USA
Festival Premiere

Pacifiction Albert Serra | France, Spain, Germany, Portugal 
North American Premiere

Queens of the Qing Dynasty Ashley McKenzie | Canada
North American Premiere

Unrest (Unrueh) Cyril Schäublin | Switzerland 
North American Premiere

Will-o’-the-Wisp (Fogo-Fátuo) João Pedro Rodrigues | Portugal, France 
North American Premiere

SHORTS 

After Work Céline Condorelli, Ben Rivers | United Kingdom
North American Premiere

Bigger on the Inside Angelo Madsen Minax | USA
World Premiere

EVENTIDE Sharon Lockhart | USA
World Premiere

F1ghting Looks Different 2 Me Now Fox Maxy | Mesa Grande Reservation/USA
Festival Premiere

Fata Morgana Tacita Dean | United Kingdom, USA
Festival Premiere

Hors-titre Wiame Haddad | France 
North American Premiere

I Thought the World of You Kurt Walker | Canada
North American Premiere

Moonrise Vincent Grenier | USA, Canada
World Premiere

The Newest Olds Pablo Mazzolo | Argentina, Canada
World Premiere

Puerta a Puerta Jessica Sarah Rinland, Luis Arnías | Mexico, USA, Venezuela
International Premiere

The Time That Separates Us Parastoo Anoushahpour | Canada, Jordan, Palestine
World Premiere

What Rules the Invisible Tiffany Sia | USA
North American Premiere 

EXHIBITION 

Meriem Bennani: Life on the CAPS (2022) and 2 Lizards (2020)
The Power Plant Contemporary Art Gallery, September 9–18
Free Admission
Presented in partnership with The Power Plant Contemporary Art Gallery and The Vega Foundation.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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