Categories: Trailers

Trailer: Michelle Pfeiffer looks for a way out in ‘French Exit’

Published by
Share

“My plan was to die before the money ran out”

So says 60-year-old penniless Manhattan socialite Frances Price (Michelle Pfeiffer), but things didn’t go as planned. In French Exit, her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm (Lucas Hedges) and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.

French Exit is directed by Azazel Jacobs and written by Patrick DeWitt, who adapted the screenplay from his own novel. Tracy Letts, Valerie Mahaffey, Danielle Macdonald and Imogen Poots co-star.

Sony Pictures Classics will release French Exit in select theaters February 21, 2021.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

‘The Balconettes’ Review: Noémie Merlant Lets Loose in Topical, Genre-bending Romp | Cannes

Noémie Merlant first gained universal recognition in Celine Sciamma’s Portrait of a Lady on Fire… Read More

May 19, 2024

‘Oh Canada’ Review: Proxy Richard Gere is Superb as Paul Schrader Points the Camera at Himself | Cannes

A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s… Read More

May 19, 2024

‘Armand’ Review: Renate Reinsve is Electric as a Woman on the Verge in Halfdan Ullman Tøndel’s Enigmatic Debut | Cannes

Ever since Renate Reinsve stunned the Cannes Film Festival as a disaffected millennial in Joachim… Read More

May 18, 2024

‘Kinds of Kindness’ Review: Domination and Submission Grab Hold in Fresh Triptych for the Lanthimos-pilled | Cannes

Remember the myriad of ways Queen Anne demanded affection from her court in Yorgos Lanthimos’… Read More

May 18, 2024

‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu Examines Homophobia in a Small Romanian Town | Cannes

Romanian cinema has carved a significant niche in international film topography through its strong ties… Read More

May 18, 2024

This website uses cookies.