Trailer: The sci-fi thriller ‘Sputnik’ from IFC Midnight

Due to her controversial methods, young doctor Tatiana Yurievna (Oksana Akinshina, Lilya 4-Ever) is on the precipice of losing her medical license. Her career may not be over, though. After she’s recruited by the military, Tatiana is brought to a secure science research facility to assess a very special case, that of Konstantin Sergeyevich (Pyotr Fyodorov, The Darkest Hour), a cosmonaut who survived a mysterious space accident and has returned to Earth with a unique condition: there’s something living inside of him that only shows itself late at night. The military has nefarious plans for it. Tatiana wants to stop it from killing Konstantin. And the creature itself thrives on destruction.
With the ever-looming shadow of influence and importance cast by Ridley Scott’s Alien, extraterrestrial malevolence in genre cinema more often than not feels as if it’s been beamed down directly from the Nostromo. Sputnik bucks that tradition of pastiche and delivers something fresh to the interplanetary monster-movie canon. And with its massive scale and brutal carnage, this sci-fi gem signals the arrival of a major new voice: first-time Russian director Egor Abramenko.
Sputnik is directed by Egor Abramenko and written by Oleg Malovichko and Andrei Zolotarev.
IFC Midnight will open Sputnik in select theaters, digital platforms, and cable VOD on August 14, 2020.

- 2026 Cannes Film Festival Winners: Cristian Mingiu’s ‘Fjord’ Takes the Palme, Seventh Win in a Row for NEON - May 23, 2026
- Cannes 2026: Sandra Wollner’s ‘Everytime’ Wins Un Certain Regard Grand Prize - May 22, 2026
- ‘Coward’ Review: Belgian Soldiers Find Love in Lukas Dhont’s Hidden Romance Masterpiece [A] Cannes - May 21, 2026

AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]
‘Minotaur’ Review: Andrey Zvyagintsev’s Timeless, Domestic Epic is an Unflinching Look at Putin’s Russia [A] Cannes