2018 Oscar Predictions: ALL BELOW THE LINE CATEGORIES (December Part 2)
| SOUND EDITING | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Dunkirk | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 98 |
| 2 | Blade Runner 2049 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 92 |
| 3 | Star Wars: The Last Jedi | 3 | 3 | 3 | 3 | 4 | 3 | 3 | 3 | 3 | 3 | 79 |
| 4 | Baby Driver | 4 | 4 | 5 | 4 | 7 | 4 | 4 | 4 | 4 | 4 | 66 |
| 5 | Get Out | 5 | 5 | 4 | 6 | 5 | 5 | 5 | 7 | 7 | 5 | 56 |
| 6 | The Shape of Water | 6 | 7 | 6 | 8 | 6 | 6 | 6 | 8 | 6 | 6 | 45 |
| 7 | Coco | 7 | 8 | 7 | 5 | 3 | 7 | 7 | 9 | 5 | 41 | |
| 8 | War for the Planet of the Apes | 10 | 9 | 9 | 7 | 9 | 8 | 6 | 8 | 8 | 25 | |
| 9 | Wonder Woman | 9 | 10 | 10 | 10 | 9 | 8 | 9 | 5 | 9 | 9 | 22 |
| 10 | Detroit | 9 | 7 | 10 | 10 | 7 | 12 | |||||
| 11 | Transformers: The Last Knight | 8 | 8 | 10 | 10 | 10 | 9 | |||||
| 12 | Logan | 6 | 8 | 8 | ||||||||
| 13 | Justice League | 10 | 1 |
OTHER CONTENDERS
Beauty and the Beast (2017)
The Greatest Showman
Guardians of the Galaxy Vol 2
Hostiles
Kong: Skull Island
mother!
Okja
Spider-Man: Homecoming
Thor: Ragnarok
| SOUND MIXING | ERIK ANDERSON |
BRYAN BONAFEDE | GREG HOWARD | EVAN KOST |
JASON OSIASON | KENNETH POLISHCHUK |
DENIZCAN SÜRÜCÜ | RICHARD ANTHONY |
ŞÜKRÜ SÖĞÜT | MATT DINN | TOTAL POINTS |
|
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1 | Dunkirk | 2 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 1 | 98 |
| 2 | Blade Runner 2049 | 1 | 2 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 2 | 92 |
| 3 | Star Wars: The Last Jedi | 3 | 3 | 3 | 3 | 4 | 3 | 3 | 3 | 3 | 3 | 79 |
| 4 | The Shape of Water | 4 | 4 | 4 | 4 | 5 | 4 | 4 | 4 | 4 | 4 | 69 |
| 5 | Get Out | 5 | 5 | 5 | 7 | 6 | 5 | 5 | 7 | 6 | 5 | 54 |
| 6 | Baby Driver | 6 | 7 | 6 | 6 | 9 | 6 | 6 | 5 | 5 | 6 | 48 |
| 7 | Beauty and the Beast (2017) | 7 | 6 | 7 | 5 | 7 | 7 | 7 | 7 | 7 | 39 | |
| 8 | Coco | 8 | 8 | 10 | 9 | 3 | 9 | 8 | 8 | 9 | 27 | |
| 9 | Wonder Woman | 9 | 10 | 8 | 8 | 10 | 6 | 10 | 8 | 19 | ||
| 10 | The Greatest Showman | 9 | 8 | 8 | 10 | 8 | 9 | 10 | 15 | |||
| 11 | War for the Planet of the Apes | 10 | 9 | 9 | 5 | |||||||
| 12 | The Post | 10 | 9 | 3 | ||||||||
| 13 | Darkest Hour | 10 | 10 | 2 |
OTHER CONTENDERS
Detroit
Hostiles
Kong: Skull Island
Logan
mother!
Okja
Spider-Man: Homecoming
Thor: Ragnarok
Transformers: The Last Knight
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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