2021 Oscar Predictions: ORIGINAL SCREENPLAY (February)

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Pretty big snub by for Da 5 Bloods by the Writers Guild of America this week, but then, the WGA has only ever nominated Spike Lee once, for his Oscar-winning adaptation BlacKkKlansman. It’s not out quite yet but it could have used it.

While the expected screenplays of The Trial of the Chicago 7 and Promising Young Woman made the WGA cut, both Sound of Metal and Judas and the Black Messiah also did. The former is a critics’ leader in Best Actor and Best Supporting Actor and the latter, which just premiered last weekend, is looking to make one of those 11th hour moves that we see almost every year. While there is some concern that Sound of Metal could see its category placement moved by the Academy (like Whiplash, Loving and Moonlight were), word is that they’ve already approved it for original, despite being based on Derek Cianfrance’s unreleased film Metalhead (which is why he has a story by credit). We’ll see, the Academy does love a good curveball.

But what to do with Eliza Hittman’s Never Rarely Sometimes Always? Is the NYFCC and NSFC winner for Best Screenplay going to be shut out? After the WGA nominated just four women (from only two films) of 31 nominees? It’s more than just a bad look in a year with so many stellar films written by women (where’s Radha Blank and The Forty-Year Old Version?).

I know some are toying with the idea of the late Jack Fincher’s Mank being a huge surprise snub here, as it’s been showing itself to be a vulnerable contender, but I’m not quite ready to pull that trigger yet. For the record, it and Lee Isaac Chung’s Minari were not eligible for WGA.

The Writers Guild Awards are March 21, six days after Oscar nominations are announced.

Here are my ranked 2021 Oscar predictions in Original Screenplay for February.

Green – moves up Red – moves down Blue – new entry this month +; Black – no change 

1. The Trial of the Chicago 7 ↔ (Netflix) – BAFTA longlist, BFCA , WGA
Aaron Sorkin

2. Promising Young Woman ↔ (Focus Features) – BAFTA longlist, BFCA , WGA
Emerald Fennell

3. Minari (A24) – BAFTA longlist, BFCA
Lee Isaac Chung

4. Mank (Netflix) – BAFTA longlist, BFCA
Jack Fincher

5. Sound of Metal(Amazon Studios) – BAFTA longlist, BFCA , WGA
Abraham Marder, Darius Marder (screenplay), Derek Cianfrance (story by)

6. Judas and the Black Messiah (Warner Bros) – BAFTA longlist, WGA
Will Berson and Shaka King (screenplay), Keith Lucas and Kenny Lucas (story by)

7. Never Rarely Sometimes Always (Focus Features) – BAFTA longlist, BFCA

Eliza Hittman

8. Soul (Pixar) – BAFTA longlist
Pete Docter, Mike Jones, Kemp Powers

9. Da 5 Bloods (Netflix) – BAFTA longlist
Danny Bilson, Paul De Meo, Kevin Willmott, Spike Lee

10. Palm Springs (Hulu/Neon) – WGA
Andy Siara


Other Contenders

Ammonite (Neon) – BAFTA longlist

Francis Lee

The Assistant (Bleecker Street) – BAFTA longlist
Kitty Green

The Forty-Year-Old Version (Netflix) – BAFTA longlist
Radha Blank

Malcolm & Marie (Netflix)
Sam Levinson

Miss Juneteenth (Vertical Entertainment)
Channing Godfrey Peoples

On the Rocks (A24/Apple TV+)
Sofia Coppola

Wolfwalkers (Apple TV+/Cartoon Saloon)
Jericca Cleland, Will Collins, Tomm Moore, Ross Stewart

Image courtesy of Focus Features

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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