Todd Haynes’s ‘May December’ to Open 61st New York Film Festival (NYFF)
Film at Lincoln Center announced today that Todd Haynes’s May December as Opening Night of the 61st New York Film Festival, making its North American premiere at Alice Tully Hall on September 29 with the director and cast in person. NYFF61 will take place September 29–October 15, 2023. The film is set for release by Netflix in theaters this November and streaming in December.
“We are all so proud and moved to have been invited to open the New York Film Festival with the North American premiere of May December,” said Haynes. “It is a festival that plays a role in my work and life like no other in the world, since it enshrines the cultural life of this city, which is both my creative home as a filmmaker and, as ever, the eternal site of artistic possibility.”
“May December is a tour de force of writing, acting, and directing: a film built on moment-to-moment surprise, as thought-provoking as it is purely pleasurable,” said Dennis Lim, Artistic Director, New York Film Festival. “It cements Todd Haynes’s place as one of American cinema’s most brilliant mischief-makers and as an all-time great director of actors. Todd has been a consistent presence at the New York Film Festival for almost his entire career, and we are very excited to open this edition with one of his most dazzling achievements.”
In May December, Elizabeth (Natalie Portman), a popular television star, has arrived in a tight-knit island community in Savannah. Here, she will be doing intimate research for a new part, ingratiating herself into the lives of Gracie (Julianne Moore), whom she’ll be playing on-screen, and her much younger husband, Joe (Charles Melton), to better understand the psychology and circumstances that more than 20 years ago made them notorious tabloid figures. As Elizabeth attempts to get closer to the family, the uncomfortable facts of their scandal unfurl, causing difficult, long-dormant emotions to resurface.
Although this is Haynes’s first film to open NYFF, the director has been a staple of the fest beginning with Velvet Goldmine (NYFF36), Far from Heaven (2002), I’m Not There (NYFF45), Carol (NYFF53), Wonderstruck (NYFF55 Centerpiece Selection), Dark Waters, and the documentary The Velvet Underground (NYFF59).
The film marks the fourth NYFF opener by Netflix in the last eight years after 13TH (2016), The Irishman (2019) and White Noise (2022). May December will be released domestically, in theaters November 17 and on Netflix December 1.
The NYFF Main Slate selection committee, chaired by Dennis Lim, also includes Florence Almozini, Justin Chang, K. Austin Collins, and Rachel Rosen.
New York Film Festival Opening Night Films
2022 White Noise (Noah Baumbach, US)
- 2021 The Tragedy of Macbeth (Joel Coen, US)
- 2020 Lovers Rock (Steve McQueen, UK)
- 2019 The Irishman (Martin Scorsese, US)
- 2018 The Favourite (Yorgos Lanthimos, Ireland/UK/US)
- 2017 Last Flag Flying (Richard Linklater, US)
- 2016 13TH (Ava DuVernay, US)
- 2015 The Walk (Robert Zemeckis, US)
- 2014 Gone Girl (David Fincher, US)
- 2013 Captain Phillips (Paul Greengrass, US)
- 2012 Life of Pi (Ang Lee, US)
- 2011 Carnage (Roman Polanski, France/Poland)
- 2010 The Social Network (David Fincher, US)
- 2009 Wild Grass (Alain Resnais, France)
- 2008 The Class (Laurent Cantet, France)
- 2007 The Darjeeling Limited (Wes Anderson, US)
- 2006 The Queen (Stephen Frears, UK)
- 2005 Good Night, and Good Luck (George Clooney, US)
- 2004 Look at Me (Agnès Jaoui, France)
- 2003 Mystic River (Clint Eastwood, US)
- 2002 About Schmidt (Alexander Payne, US)
- 2001 Va savoir (Jacques Rivette, France)
- 2000 Dancer in the Dark (Lars von Trier, Denmark)
- 1999 All About My Mother (Pedro Almodóvar, Spain)
- 1998 Celebrity (Woody Allen, US)
- 1997 The Ice Storm (Ang Lee, US)
- 1996 Secrets & Lies (Mike Leigh, UK)
- 1995 Shanghai Triad (Zhang Yimou, China)
- 1994 Pulp Fiction (Quentin Tarantino, US)
- 1993 Short Cuts (Robert Altman, US)
- 1992 Olivier Olivier (Agnieszka Holland, France)
- 1991 The Double Life of Véronique (Krzysztof Kieślowski, Poland/France)
- 1990 Miller’s Crossing (Joel Coen, US)
- 1989 Too Beautiful for You (Bertrand Blier, France)
- 1988 Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
- 1987 Dark Eyes (Nikita Mikhalkov, Soviet Union)
- 1986 Down by Law (Jim Jarmusch, US)
- 1985 Ran (Akira Kurosawa, Japan)
- 1984 Country (Richard Pearce, US)
- 1983 The Big Chill (Lawrence Kasdan, US)
- 1982 Veronika Voss (Rainer Werner Fassbinder, West Germany)
- 1981 Chariots of Fire (Hugh Hudson, UK)
- 1980 Melvin and Howard (Jonathan Demme, US)
- 1979 Luna (Bernardo Bertolucci, Italy/US)
- 1978 A Wedding (Robert Altman, US)
- 1977 One Sings, the Other Doesn’t (Agnès Varda, France)
- 1976 Small Change (François Truffaut, France)
- 1975 Conversation Piece (Luchino Visconti, Italy)
- 1974 Don’t Cry with Your Mouth Full (Pascal Thomas, France)
- 1973 Day for Night (François Truffaut, France)
- 1972 Chloe in the Afternoon (Eric Rohmer, France)
- 1971 The Debut (Gleb Panfilov, Soviet Union)
- 1970 The Wild Child (François Truffaut, France)
- 1969 Bob & Carol & Ted & Alice (Paul Mazursky, US)
- 1968 Capricious Summer (Jiri Menzel, Czechoslovakia)
- 1967 The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
- 1966 Loves of a Blonde (Milos Forman, Czechoslovakia)
- 1965 Alphaville (Jean-Luc Godard, France)
- 1964 Hamlet (Grigori Kozintsev, Soviet Union)
- 1963 The Exterminating Angel (Luis Buñuel, Mexico)
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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