You won’t find a better elevator pitch at Cannes this year than the premise for the Thai Critics’ Week title A Useful Ghost, a supernatural... Read More
Alistair Ryder
You can’t discuss Pixar’s first original TV series, Win Or Lose, without bringing up what has been lost in the cutting room. Disney were hardly... Read More
Some narrative cliches are universal, and the rookie cop who slowly comes to realize their superiors aren’t the good guys is a staple of the... Read More
We don’t need to meet the elusive Jeremy to conclude that he is the Lydia Tár of tennis. A youth coach preparing the next generation... Read More
I don’t play video games, as to quote the great modern philosopher Adrian Chiles, they’re not good for your mental health if “you play like... Read More
In Vitro Fertilization, IVF, is a modern miracle, with 12 million babies born out of this process since it was first pioneered in the 1970s.... Read More
It’s no secret that not all countries are keeping pace with the most populous Western nations when it comes to progress in LGBTQ rights, which... Read More
Can a movie about an interview reveal more about its subject than the interview itself? With the recent, Emmy-nominated Netflix movie Scoop – adapted from... Read More
The recent success of A Quiet Place: Day One has proven that audiences haven’t yet tired of dystopian survival horror, and based on its marketing,... Read More
If you thought the streaming era finally helped people get over their fear of the one-inch barrier of subtitles, Hollywood hasn’t received the same memo.... Read More

‘A Useful Ghost’ Review: Vacuum Cleaner Love Story Doesn’t Suck [C+] Cannes
‘Win or Lose’ TV Review: Pixar’s First Series Takes Some Bold Swings but Strikes Out with Trans Character Erasure [B]
‘Santosh’ Review: Sandhya Suri’s Crime Thriller is Too Dependent on Tropes to Be Arresting [B-]
‘Julie Keeps Quiet’ Review: Tennis Drama Muffles its Lead Instead of Challenges Her | London Film Festival
‘Flow’ Review: Earnest Feline Spin on Climate Change Era Noah’s Ark Story Lacks Boldness | London Film Festival
‘Joy’ Review: The Clash Between Religion and Science Over the Early Stages of IVF Feels All Too Prescient | London Film Festival
‘Three Kilometers to the End of the World’ Review: Emanuel Pârvu’s LGBTQ Story is Missing a Queer Path to Authenticity | London Film Festival
‘A Very Royal Scandal’ TV Review: Dutiful and Boring, There’s Simply No Scoop Here
‘Never Let Go’ Review: Halle Berry Wigs Out in Spooky, Effective Supernatural Thriller
‘Speak No Evil’ Review: James McAvoy Stars as a Sexy Villain in Remake That’ll Make You Scream
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10