Born and raised in Cornwall, England, writer-director Mark Jenkin continues to draw on his local, beloved surroundings with his sophomore film, Enys Men, which premiered... Read More
Ben Rolph
Ben is a film and television journalist, who is based out of London, United Kingdom. As the Senior film critic at DiscussingFilm, Ben regularly writes reviews, features, interviews and attends film festivals. Also, Ben runs the DiscussingFilm Critic Awards that have been running since 2019 and is a Tomatometer-approved critic.
Park Chan-wook’s Decision to Leave plays like Alfred Hitchcock’s Vertigo, albeit with a twist. It isn’t self-referential or reflexive at all to Hitchcock’s influence unlike... Read More
Many films have been made about famed 19th century composer Pyotr Ilyich Tchaikovsky, but little has been documented and told about his wife, Antonina Miliukova.... Read More
Paris, 13th District is the latest film from French director Jacques Audiard. Coming off of his English language debut The Sisters Brothers, an American western starring... Read More
Great Freedom is the latest film from Vienna-based Austrian filmmaker Sebastian Meise. Meise first came on to the international film scene when his acclaimed debut... Read More
After many delays, in making and the release of the film, Matt Reeves’ The Batman is finally hitting movie theaters this week. It’s one of... Read More
Both hilarious and utterly senseless, the latest Jackass plays like a frenzied, feature-length fails video. MTV’s Jackass has enjoyed endless spin-offs, both the big and... Read More
Jason Reitman pays tribute to his father’s iconic 1984 film, and its subsequent sequel, with Ghostbusters: Afterlife, a loving and fond continuation of the Ghostbusters... Read More
Scott Cooper’s first venture into the realm of horror, Antlers, is an utterly nerve-shredding experience. Antlers is produced by the gothic master himself, Guillermo Del Toro, and... Read More
Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with The Phantom of the Open... Read More

Cannes Review: Mark Jenkin’s Cornish thriller ‘Enys Men’ is an unnerving, off-beat experimental horror unlike any other [Grade: B+]
Cannes Review: Park Chan-wook’s ‘Decision to Leave’ subverts and embraces its Hitchcockian nature with Tang Wei’s pitch-perfect femme fatale [Grade: A]
Cannes Review: Kirill Serebrennikov’s ‘Tchaikovsky’s Wife’ portrays a woman of quiet anonymity and obsession [Grade: B]
Interview: Noémie Merlant on ‘Paris, 13th District’ and her discovery of the virtual world
Interview: Director Sebastian Meise on ‘Great Freedom’ and discovering a widely forgotten part of German LGBTQ+ history
Robert Pattinson, Zoë Kravitz, Paul Dano and Jeffery Wright talk stepping into the iconic roles in ‘The Batman’
‘Jackass Forever’ review: Welcome to the male members only club [Grade: B+]
‘Ghostbusters: Afterlife’ review: Mckenna Grace is a stand-out in Jason Reitman’s rapturously fun homage
‘Antlers’ review: Scott Cooper’s relentlessly effective horror is a near home run [Grade: B]
‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10