Often the lynchpin or bellwether of Oscar’s top category, Film Editing this year is one of the wildest ever. Four different films won editing precursors... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
‘Belfast’ wins AARP Movies for Grownups Best Picture; ‘Ted Lasso,’ ‘Mare of Easttown’ are TV winners
‘Belfast’ wins AARP Movies for Grownups Best Picture; ‘Ted Lasso,’ ‘Mare of Easttown’ are TV winners
Kenneth Branagh’s semi-autobiographical film Belfast won the AARP Movies for Grownups Best Picture award in a ceremony held March 18 via Great Performances on PBS and hosted... Read More
Kristen Stewart loves to talk. No, really. I came prepared with three dozen questions and talking points but I probably got through a third of... Read More
Jane Campion continued her record-setting awards run for a female director as she was recognized as Best Director for her adaptation of the 1920’s Western drama The... Read More
With Best Picture, Best Director and Best Adapted Screenplay nominations, it’s hard to make a case against Japans’s Drive My Car from Ryusuke Hamaguchi racing... Read More
Here are my ranked final Oscar predictions for Animated Short, Documentary Short Subject and Live Action Short. ANIMATED SHORT FILM 1. Robin Robin (Netflix)2. Boxballet (Melnitsa Animation Studio) 3. Bestia (Miyu... Read More
There would have to be a rift in the time-space continuum for Dune to lose the Visual Effects Oscar. Not only is it a gargantuan... Read More
Such an interesting category as the tides keep turning and crashing into each other. Between Dune‘s Baron Vladimir Harkonnen and House of Gucci‘s Paolo Gucci,... Read More
There are so many ways to interpret how voters will approach a category like production design; will they go for period recreations that evoke memories... Read More
With having nabbed Critics’ Choice, BAFTA and Costume Designers Guild, Cruella is the far out in frontrunner for the Costume Design Oscar. Hitting two quadrants... Read More

FINAL 2022 Oscar Predictions: FILM EDITING
Interview: Kristen Stewart opens up about ‘Spencer,’ honoring Diana, awards season (she loves it) and the impact of being an openly queer Oscar nominee in 2022
Dorian Awards: ‘The Power of the Dog,’ ‘Flee,’ Rita Moreno top LGBTQ critics picks; Kristen Stewart and Ariana DeBose win non-gendered acting prizes
FINAL 2022 Oscar Predictions: INTERNATIONAL FEATURE FILM
FINAL 2022 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT SUBJECT and LIVE ACTION SHORT
FINAL 2022 Oscar Predictions: VISUAL EFFECTS
FINAL 2022 Oscar Predictions: MAKEUP and HAIRSTYLING
FINAL 2022 Oscar Predictions: PRODUCTION DESIGN
FINAL 2022 Oscar Predictions: COSTUME DESIGN
Cannes 2026: ‘La Gradiva’ Wins Top Critics Week Prize
Interview: Jen Malone on Crafting the Heartbreaking Soundtrack of ‘Love Story,’ and the Power of Music
‘A Woman’s Life’ Review: Léa Drucker Elevates an Uneven Portrait of Female Exhaustion [C] Cannes
‘Fjord’ Review: Cristian Mungiu Takes On Religious and Progressive Extremism in Exceptional Family Drama [A] Cannes