Focus Features has acquired the worldwide rights to Silent Twins, which marks the English language debut of director Agnieszka Smoczynska (The Lure), starring Letitia Wright... Read More
Erik Anderson
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Throw everything you think you know about how BAFTA votes right out the window. This year, BAFTA chucked its old voting formats right in the... Read More
Academy Award winner Jolie (Girl, Interrupted) stars as Hannah, a smoke jumper still reeling from the loss of three lives she failed to save from... Read More
The Walt Disney Company has released a new trailer and poster for its all-new live-action feature film Cruella, starring Academy Award-winners Emma Stone and Emma... Read More
The winners of the 19th Visual Effects Society awards were announced on Tuesday and The Midnight Sky took the top award of the night, Outstanding... Read More
Groundbreaking trans filmmaker will accept inaugural tribute on April 19 star-studded TV show on streaming network Revry GALECA: The Society of LGBTQ Entertainment Critics has named... Read More
“Should one moment define my life?” Monster tells the story of Steve Harmon (Kelvin Harrison, Jr.) a seventeen-year-old honor student whose world comes crashing down... Read More
DocLands Documentary Film Festival, presented by the California Film Institute, has announced its full schedule of films and programs for the annual Festival showcasing documentary... Read More
Searchlight Pictures and Hulu, together with Disney General Entertainment’s new BIPOC Creator Initiative, announced the release date for Ahmir “Questlove” Thompson’s debut film Summer Of... Read More
Last night, the Screen Actors Guild threw an exciting wrench into the Best Actress race in the best way possible. Viola Davis won Outstanding Performance... Read More

Focus Features acquires Agnieszka Smoczynska’s ‘Silent Twins,’ starring Letitia Wright and Tamara Lawrance
2021 BAFTA preview and predictions: Is a British wave coming?
Trailer: Angelina Jolie in ‘Those Who Wish Me Dead’
New ‘Cruella’ trailer gives you a double dose of Emma
Visual Effects Society winners (VES): ‘The Midnight Sky,’ ‘The Mandalorian’ win top awards, ‘Soul’ makes clean sweep
Society of LGBTQ Entertainment Critics to honor Isabel Sandoval with inaugural Trailblazer Award
Trailer: Kelvin Harrison Jr. is labeled a ‘Monster’
DocLands Documentary Film Festival lineup: ‘Summer of Soul,’ ‘Sparks Brothers,’ ‘Rita Moreno,’ new film by Julia Reichert and Steven Bognar
Searchlight Pictures and Hulu set Questlove’s Sundance winner ‘Summer of Soul’ for July
Did SAG just create the most open Best Actress race in years?
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW]
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B]
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]