‘Fingernails’ Review: Jessie Buckley and Riz Ahmed’s Chemistry is the High Point in Christos Nikou’s Analog Dating Dramedy | Toronto
Christos Nikou opens his newest film with a quote, or a common consensus in the scientific community: that the first signs of heart problems can... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
‘Dream Scenario’ Review: Being Nicolas Cage | Toronto
When asked about his fame and his status in being such a meme-worthy actor, Nicolas Cage shared an interesting story. He talked about how he... Read More
‘Concrete Utopia’ Review: Um Tae-hwa’s Dystopian Thriller Remains a Fun Ride Despite Lack of Nuance | Toronto
Sometimes you read the premise of a film and can tell immediately where it’s going to go and what kind of thematic ideas it has... Read More
‘Joy Ride’ review: Adele Lim’s hilariously raunchy and sex-positive Asian diaspora comedy pushes buttons and boundaries | SXSW
Joy Ride begins with relaxing music and shots of white people enjoying the outdoors at a town called White Hills. We then quickly find a... Read More
‘Tetris’ review: Iconic video game origin story gets fun, Cold War thriller treatment and a winning Taron Egerton | SXSW
In journalism, it’s never just the story. There’s also the story behind how it got published, how the people behind the scenes worked to get... Read More
‘Upon Entry’ review: Alejandro Rojas and Juan Sebastián Vásquez present a tense look at the abusive powers of immigration authority | SXSW
It’s one thing to be asked questions about your background, to make sure all information is in line and to ensure everything is in order... Read More
‘Self Reliance’ review: Jake Johnson’s spoof on high concept game show premise plays it a bit too safe | SXSW
Right before we were about to see Jake Johnson’s feature length directorial debut Self Reliance at the 2023 SXSW Film Festival, he came on stage... Read More
Ke Huy Quan is Back and Living the Best Version of Himself
Kevin L. Lee takes a deep dive with Ke Huy Quan on his journey from forgotten child star to Oscar favorite and everything in between... Read More
‘Cat Person’ review: Susanna Fogel pushes the anxieties of modern dating to a new level with Emilia Jones and Nicholas Braun | Sundance
Dating can be really awkward, especially when both sides are not experienced and are doing the best they can to not hurt each other’s feelings.... Read More
‘Infinity Pool’ review: Though beautiful to look at, Brandon Cronenberg’s twisted horror stays in the shallow end | Sundance
Brandon Cronenberg, the son of filmmaker David Cronenberg, has never shied away from sharing his father’s body horror sensibilities. I’m all for watching an extremely... Read More
SXSW 2025 Reviews: ‘Fantasy Life,’ ‘Slanted,’ ‘Uvalde Mom’ 
SXSW 2025 Reviews: ‘The Dutchman,’ ‘$POSITIONS,’ ‘We Bury the Dead’ 
75th ACE Eddie Awards: ‘Emilia Pérez,’ ‘Wicked’ Top Winners for Film Editing 
Director Watch Podcast Ep. 89 – ‘Closer’ (Mike Nichols, 2004)