Interview: Leslie Odom Jr. on character and suspense in ‘Glass Onion’ and working with Rian Johnson
The beauty of murder mystery movies largely stems from the ensemble cast. Who winds up dead? Who is the culprit? Are there accomplices? Among the... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
Learning to be Asian American and how ‘Everything Everywhere All At Once’ gave me everything I ever needed
In the last two years, I have written scripts for five short films, along with a full-length feature screenplay and a pilot episode for a... Read More
Interview: ‘The Menu’ writers Seth Reiss and Will Tracy marinate on shaping Chef Slowik and making sense of our consumer culture
Ever since its premiere at the Toronto International Film Festival, The Menu has remained in my mind as one of the best, most sharply written... Read More
‘Black Panther: Wakanda Forever’ review: Ryan Coogler delivers a straightforward but emotionally powerful a story of loss, legacy, and healing in tribute to Chadwick Boseman
Ryan Coogler sets the tone of his sequel instantly in the opening of Black Panther: Wakanda Forever. Within seconds, Letitia Wright and Angela Bassett prepare... Read More
‘Halloween Ends’ review: David Gordon Green kills, and takes risks in this soon-to-be-divisive Laurie Strode send-off
Jamie Lee Curtis has been speaking a lot about what this new Halloween trilogy has meant to her, in the wake of Halloween Ends. It’s... Read More
Interview: Park Chan-wook on hidden feelings and the beauty in language and mother tongue in ‘Decision to Leave’
You would never guess that for a detective mystery film directed by the man who gave us Oldboy, Thirst, and The Handmaiden, Decision to Leave... Read More
‘The Greatest Beer Run Ever’ review: Good intentions barely keep the lukewarm suds afloat [C] | Toronto
Don’t say you’ve seen it all with movies based on true stories. Many of them are brilliant. Some can be unbelievable. But few are as... Read More
‘The Menu’ review: Mark Mylod perfects his recipe of thrills, obsession, and passion [A] | Toronto
Reviewing a film like The Menu is a hilariously ironic task, because with every word I write to this piece, I become more aware that... Read More
‘Pinocchio’ review: A wooden imitation of the classic [C-]
The best and most interesting Disney remakes have always been the ones with something different to say, where the fundamental story beats are there but... Read More
‘Minions: The Rise of Gru’ review: Loud, non-stop silliness that brings back why this cartoon pairing worked in the first place [B-]
The biggest selling point in this franchise right from the start was the minions. They’re in large part why the Despicable Me series was so... Read More
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Interview: ‘The Substance’ Special Makeup Effects Designer Pierre-Olivier Persin on Transforming Demi Moore and Margaret Qualley into a Funhouse of Horror and Using 4,000 Gallons of Blood