You would never guess that for a detective mystery film directed by the man who gave us Oldboy, Thirst, and The Handmaiden, Decision to Leave... Read More
Kevin L. Lee
Kevin L. Lee is an Asian-American critic, producer, screenwriter and director based in New York City. A champion of the creative process, Kevin has consulted, written, and produced several short films from development to principal photography to festival premiere. He has over 10 years of marketing and writing experience in film criticism and journalism, ranging from blockbusters to foreign indie films, and has developed a reputation of being “an omnivore of cinema.” He recently finished his MFA in film producing at Columbia University and is currently working in film and TV development for production companies.
Don’t say you’ve seen it all with movies based on true stories. Many of them are brilliant. Some can be unbelievable. But few are as... Read More
Reviewing a film like The Menu is a hilariously ironic task, because with every word I write to this piece, I become more aware that... Read More
The best and most interesting Disney remakes have always been the ones with something different to say, where the fundamental story beats are there but... Read More
The biggest selling point in this franchise right from the start was the minions. They’re in large part why the Despicable Me series was so... Read More
Thousands of films come and go each year, some lucky enough to leave a lasting impression. But every once in a while, a film comes... Read More
The Oscars are right around the corner, and it’s time to get a taste of what some of the voters have been championing. Below is... Read More
The Oscars are right around the corner, and it’s time to get a taste of what some of the voters have been championing. Below is... Read More
Kogonada may only have two films under his belt, but already his work exhibits a meditative quality that is so rarely seen and difficult to... Read More
The need to be seen and how the pressure of society affects how you behave and color yourself is ever-present in Girl Picture. The script... Read More

Interview: Park Chan-wook on hidden feelings and the beauty in language and mother tongue in ‘Decision to Leave’
‘The Greatest Beer Run Ever’ review: Good intentions barely keep the lukewarm suds afloat [C] | Toronto
‘The Menu’ review: Mark Mylod perfects his recipe of thrills, obsession, and passion [A] | Toronto
‘Pinocchio’ review: A wooden imitation of the classic [C-]
‘Minions: The Rise of Gru’ review: Loud, non-stop silliness that brings back why this cartoon pairing worked in the first place [B-]
Interview: Stephanie Hsu on Joy/Jobu, Chaos, Nihilism, Healing, and Bagels in ‘Everything Everywhere All At Once’
Anonymous Oscar Ballot #2: Producer goes all in for ‘Drive My Car,’ Penélope Cruz gets another vote
Anonymous Oscar Ballot #1: Voter champions ‘West Side Story’ and ‘Flee,’ calls the Academy and producer’s show changes “ridiculous”
Interview: Kogonada on creating ‘After Yang’ and finding a universal truth about love and memory
Sundance Review: Alli Haapasalo’s ‘Girl Picture’ is a frank and funny look at the power of female friendship [Grade: B+]
Seattle Film Critics Society (SFCS) Nominations: ‘Sinners’ Leads with Record-Tying 14
AwardsWatch Podcast Ep. 318 – The First Week of Awards Season with Critics Choice, Spirit Awards Nominations; NYFF, NBR, Gotham Winners
Critics Choice Awards TV Nominations: ‘Adolescence’ Leads, Followed by ‘Nobody Wants This’
Michigan Movie Critics Guild Nominations: ‘One Battle After Another’ Leads with 12