‘Bram Stoker’s Dracula’ at 30: Justice for Keanu!
Ever since its 1992 release, Francis Ford Coppola’s gonzo pop horror masterpiece Bram Stoker’s Dracula has played host to a performance that regularly tops lists... Read More
Kyle Wilson
Kyle Wilson is a writer who lives in Brooklyn and is happiest when he’s writing about film, television, or his insatiable obsession with Joe Pesci’s performance in The Irishman. He co-hosts the podcast Insert Movie Here: The Musical, and his work has appeared at Polygon, The Ringer and Screen Rant and you can follow him on Twitter at @icanvalk.
‘Pink Floyd: The Wall’ at 40 retrospective: What the classic concept album turned jaw-dropping rock opera told us about the chilling rise of white male rage
On May 23, 1982, at the Cannes Film Festival, the lights rose after the world premiere screening of Pink Floyd: The Wall and director Alan... Read More
‘Grease 2’ retrospective: How the horny, audacious, gender-swapped sequel became a bigger (better?) cult hit than its predecessor
Let’s get this out of the way – I’m one of those freaks who saw Grease 2 first. I thought it was bad, but fun.... Read More
‘West Side Story’ review: Steven Spielberg’s potent, first class adaptation features a vibrant, star-making performance from Rachel Zegler [Grade: B+]
Steven Spielberg’s West Side Story begins, much like Robert Wise and Jerome Robbins’, with a God’s eye view of New York City. You could be... Read More
‘Licorice Pizza’ review: Alana Haim gives the breakout performance of the year in Paul Thomas Anderson’s sweetest slice of young love [Grade: A]
“You’re never going to remember me,” predicts Alana Kane early after meeting Gary Valentine in Paul Thomas Anderson’s latest. That’s what she says anyway, but... Read More
‘Glitter’ 20 years later: How its legacy and Mariah Carey have continued to shine
“Dear God, it’s all so tragic And I’ll never have the chance To feel the closure that I ultimately need…” These are some of the... Read More
‘Cinderella’ review: Billy Porter soars, Camila Cabello strains in a jukebox musical that lands like a lead slipper
Near the end of the latest film adaptation of tale-as-old-as-time Cinderella, Minnie Driver shudders a deep sigh and witheringly intones, “What fresh hell is this?”... Read More
‘Everybody’s Talking About Jamie’ review: Rose-colored to a fault, but with its queer heart firmly in the right place
There’s an atypical lead at the center of Everybody’s Talking About Jamie. A reed-thin teenage boy with platinum blonde hair and the confidence of someone... Read More
25 years later, the radical queerness of ‘A Very Brady Sequel’ lives on
We’re living in an IP hellscape. Superheroes dominate the box office, Disney shamelessly mimeographs their earlier animated offerings, and (although I turned it off an... Read More
‘Wet Hot American Summer’ at 20: the ‘Nashville’ of absurdist cinema [Retrospective]
Some folks have never seen a Star Wars movie. There are diehard film fans in this world who have still never experienced Citizen Kane. I... Read More
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Interview: ‘The Substance’ Special Makeup Effects Designer Pierre-Olivier Persin on Transforming Demi Moore and Margaret Qualley into a Funhouse of Horror and Using 4,000 Gallons of Blood