‘Last Days’ Review: Sky Yang Excels in Justin Lin’s Muted Missionary Man Adventure [B-] – Sundance Film Festival
Justin Lin’s first non-franchise feature in 18 years, Last Days heralds his return to independent filmmaking. The technical polish he has acquired during his time... Read More
Martin Tsai
‘Oh, Hi!’ Review: Tie Him Up, Tie Him Down [C+] – Sundance Film Festival
The second feature by Sophie Brooks (The Boy Downstairs), Oh, Hi! starts out as a pretty nondescript indie rom-com that typically makes the rounds at... Read More
‘If I Had Legs I’d Kick You’ Review: Rose Byrne is Mother in Manic Maternal Gut Punch [A-] – Sundance Film Festival
No, If I Had Legs I’d Kick You is not an amputee’s revenge fantasy. The Sundance Film Festival world premiere from Mary Bronstein (Yeast) is... Read More
‘Jimpa’ Review: John Lithgow and Olivia Colman Charm in Sophie Hyde’s Personal but Distant LGBTQIA+ Centered Feature [C-] – Sundance Film Festival
Following the immensely crowd-pleasing Good Luck to You, Leo Grande, Australian filmmaker Sophie Hyde returns to Sundance Film Festival with Jimpa, an ambitious, deeply personal... Read More
‘Youth (Homecoming)’ Review: Wang Bing’s 10-Hour Doc Trilogy Disappoints in its Closing Workshop Saga | Venice
Wang Bing’s mammoth Youth documentary trilogy chronicles the lives of migrant workers in Zhili, China, garment sweatshops from 2014 to 2019. The films provide a... Read More
‘Horizon: An American Saga – Chapter 2’ Review: I Think We’ve Seen This Film Before and We Still Don’t Have an Ending | Venice
Horizon: An American Saga – Chapter 1 made only $36 million at the box office, prompting Warner Bros. to yank Chapter 2 from its original... Read More
‘The Brutalist’ Review: Adrien Brody Gives a Shattering Performance in the Cinematic Event of the Year | Venice
If Megalopolis were half decent, it might look a lot like The Brutalist. While this review solely focuses on the latter, the two films just... Read More
‘Cloud’ Review: Japan’s Oscar Entry Finds Kiyoshi Kurosawa Matching Madness and Madcap in Online Reselling Satirical Thriller | Venice
Japan’s official Oscar entry and Venice Film Festival selection, Cloud finds J-horror master Kiyoshi Kurosawa comfortably in his wheelhouse. It’s an atmospheric thriller imbued with... Read More
‘To Live, To Die, To Live Again’ Review: Gaël Morel’s AIDS-era Drama Doesn’t Break New Ground but Doesn’t Need to Either | Cannes
Can you believe it’s been about a decade since the last major film that addressed HIV and AIDS? For a long while the theme dominated... Read More
‘Baby’ Review: Marcelo Caetano’s Coming of Age Story is a Thoughtful Look at Predatory Power | Cannes
Cannes Critics’ Week selection Baby tells the heartbreaking coming-of-age story of a young man desperately in search of a father figure and systematically failed by... Read More
Carrie Preston (‘Elsbeth’) on the Resurgence of Broadcast Television and What She Sees for Season 4 [VIDEO INTERVIEW] 
AwardsWatch Podcast Ep. 345: Recapping the 79th Cannes Film Festival and Looking to the Awards Future 
‘The Beloved’ Review: Javier Bardem Makes a Meal Out of Rodrigo Sorogoyen’s Movie-Making Buffet [B] 
‘The Dreamed Adventure’ Review: Valeska Grisebach’s Observant Thriller Examines the Grey Zones of Morality [B+]